 Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey,...  The Scots Magazine - Seite 811759Vollansicht - Über dieses Buch
 | John Nichols - 1812 - 782 Seiten
...contemporary authors agree 'in ascribing to Mary tha utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of, that age, she frequently wore borrowed locks, and of different colours; her eyes were a... | |
 | Elegant extracts - 1812 - 316 Seiten
...contemporary' authors agree in ascrihing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | William Robertson - 1813 - 652 Seiten
...which the human form is capable. Her heir was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey ; her complexion was exquisitely fine ; and her hands and arms remarkably delicate, both as to... | |
 | William Scott - 1814 - 424 Seiten
...cotemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark... | |
 | Nicolas Gouin Dufief - 1817 - 594 Seiten
...contemporary authors agree in ascribing to Mary, the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | William Robertson - 1817 - 544 Seiten
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | William Scott - 1820 - 422 Seiten
...cotemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark... | |
 | William Scott - 1820 - 434 Seiten
...authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, ofwhich the human form is capable. Her hair was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark... | |
 | William Scott - 1819 - 366 Seiten
...which the human form is capable. Her haip was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey, her complexion was exquisitely fine, and her hands and arms remarkably delicate, both as to shape... | |
 | William Robertson, Dugald Stewart - 1821 - 512 Seiten
...contemporary authors agree in ascribing to Mary the utmostbeauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
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