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" ... in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar ? Not one now, to mock... "
Hamlet - Seite 396
von William Shakespeare - 2001 - 500 Seiten
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Shakespeare: The "lost Years"

E. A. J. Honigmann - 1998 - 172 Seiten
...nightly wanton play. Bid her paint till day of doom, To this favour she must come. (Compare Hamlet, V.1 : 'get you to my lady's chamber, and tell her, let her...paint an inch thick, to this favour she must come'). I believe Weever himself may be the author of A Memento (his epigram on the death of Robert Shute (iv.15)...
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Political Shakespeare

Stephen Orgel, Sean Keilen - 1999 - 326 Seiten
...reflection on human or even male mortality but a triumphant reading and declaration of female mortality: "Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favor she must come" (5.1.186-89l. Although a commonplace of Renaissance misogyny, Hamlet's move from...
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Great Scenes from Shakespeare's Plays

John Green, Paul Negri - 2000 - 64 Seiten
...gambols, your songs, your flashes of merriment, that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen?...laugh at that. Prithee, Horatio, tell me one thing. HORATIO. What's that, my lord? HAMLET. Dost thou think Alexander looked o' this fashion i' the earth?...
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke : the First Folio of 1623 ...

William Shakespeare - 2001 - 261 Seiten
...flashes of merriment that were wont to set the table on a roar? No one now to mock your own jeering? 55 Quite chop-fallen? Now get you to my lady's chamber...laugh at that. Prithee, Horatio, tell me one thing. Horatio What's that, my lord? Hamlet Dost thou think Alexander looked o' this fashion i'th'earth? Horatio...
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Who's who in Shakespeare

Peter Quennell, Hamish Johnson - 2002 - 228 Seiten
...gambols, your songs, your flashes of merriment, that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen ?...this favour she must come. Make her laugh at that, (vi) York, Archbishop of (R.Il) see SCROOP, RICHARD. York, Archbishop of (R.III) He resigns his seal...
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 Seiten
...that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let...laugh at that. Prithee, Horatio, tell me one thing. Horatio What's that, my lord? Hamlet Dost thou think Alexander looked o' this fashion i' the earth?...
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Deadly Thought: Hamlet and the Human Soul

Jan H. Blits - 2001 - 405 Seiten
...concludes by mordantly imagining the skull appearing before the mirror of a woman putting on her cosmetics: Now get you to my lady's chamber and tell her, let...this favour she must come. Make her laugh at that. (5.1.186-89) Earlier, Hamlet had criticized women for having been given one face by God but making...
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Enter the Body: Women and Representation on Shakespeare's Stage

Carol Chillington Rutter - 2001 - 218 Seiten
...comes with other instructions, ventriloquized by yet another of the king's doubles, Hamlet, his son: 'Now get you to my lady's chamber and tell her, let...paint an inch thick, to this favour she must come.' Yorick's wisdom makes revenge superfluous. 'To this favour [we] must come' means we don't need to 'take...
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The Origins of English Words: A Discursive Dictionary of Indo-European Roots

Joseph Twadell Shipley - 2001 - 636 Seiten
...sky. Good heavens! "Alas! poor Yorick. . . . Where be your gibes now? Your gambols? Your songs? . . . Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come"-Hamlet, contemplating the skull of the Court Jester. kan: sing. L canere; frequentative cantare,...
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Hamlet by William Shakespeare and Rosencratz and Gildenstern are Dead by Tom ...

Lloyd Cameron, Rebecca Barnes - 2001 - 112 Seiten
...skull in the grave, he comes to the realisation that everyone's fate is the same. He says to Horatio: Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favour must she come. (Act V, Sc. i, lines 189-91) Rosencrantz is also concerned with the inevitability of...
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