But rather to tell how, if art could tell, How from that sapphire fount the crisped brooks, Rolling on orient pearl and sands of gold, With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not... Selections from Ovidvon Ovid - 1890 - 444 SeitenAuszug - Über dieses Buch
| William Hazlitt - 1825 - 600 Seiten
...needs no aeeount ; But rather to tell how, if art eould tell, [low from that sapphire fount the erisped ld speed before thee, and be louder heard, That on my head all might be visited, Thy frailt neetar, visiting eaeh plant, and fed Flow'rs worthy of Paradise, whieh not niee art ¡n beds and eurious... | |
| Horace Smith - 1825 - 370 Seiten
...sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The... | |
| John Aikin - 1826 - 840 Seiten
...that sapphire fount the crisped brooks, Rolling on orient pearl and sands of gold, With mazy errour under pendent shades Ran nectar, visiting each plant,...not nice Art In beds and curious knots, but Nature l>oon Pour'd forth profuse on hill, and dale, and plain, Both where the morning Sun first warmly smote... | |
| John Milton - 1826 - 318 Seiten
...here needs no account ; 235 But rather to tell how, if Art could tell, How from that sapphire fount the crisped brooks, Rolling on orient pearl and sands...pendent shades Ran nectar, visiting each plant, and fed 240> Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd... | |
| Horace Walpole - 1827 - 400 Seiten
...freedom of pencil, what landscape in these lines, from that saphire fount the crisped brooks, Boiling on orient pearl and sands of gold, With mazy error...pendent shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth... | |
| 1827 - 294 Seiten
...whereof here needs no account ; But rather to tell how, if Art could tell, f How from that sapphire fount the crisped brooks, Rolling on orient pearl and sands of gold, With mazy errour under pendant shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which... | |
| Sir Henry Steuart - 1828 - 536 Seiten
...thence united fell Down the deep glade, and met the nether Aood. * • — From that sapphire fount, the crisped brooks, Rolling on orient pearl, and sands...pendent shades, Ran nectar, visiting each plant, and fed Flow'rs worthy Paradise ; which not nice art In beds and curious knots, but nature boon, Pour'd forth... | |
| 1828 - 598 Seiten
...against the artificial taste of gardening, in the times when he lived, in those well-known verses: — ' Flowers worthy of Paradise, which not. nice Art In beds and curious knots, but Nature boon Poured out profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field,... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) - 1828 - 626 Seiten
...the artificial taste of gardenmg, in the times when he lived, in those well-known verses :— • ' Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Poured out profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field,... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) - 1828 - 608 Seiten
...the artificial taste of gardening, in the times when he lived, in those well-known verses : — ' ' Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Poured out profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field,... | |
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