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" Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? "
The Port Folio - Seite 260
herausgegeben von - 1809
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Wilhelm Meister's Apprenticeship and Travels, Band 2

Johann Wolfgang von Goethe - 1840 - 350 Seiten
...visage warm'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing...him, Or he to Hecuba, that he should weep for her 1" " If we can but persuade our man to come upon the stage," observed Aurelia. " We must lead him to...
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The Works of Shakespere, Band 2

William Shakespeare - 1843 - 582 Seiten
...and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba ! What 's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with...
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Knight's Cabinet edition of the works of William Shakspere, Band 7

William Shakespeare - 1843 - 364 Seiten
...and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What 's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He would drown the stage...
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The works of Shakspere, revised from the best authorities: with a ..., Band 2

William Shakespeare - 1843 - 594 Seiten
...and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba ! What 's Hecuba to him, or he to Hecuba, That he should weep for her? What would be du, Had he the motive and the cue for passion That I have ? He would drown the stage...
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The Plays and Poems of William Shakespeare: Printed from the Text of ..., Band 6

William Shakespeare - 1844 - 554 Seiten
...visage wann'd ; Tears in his eyes , distraction in his aspect , A broken voice , and his whole function suiting With forms to his conceit? and all for nothing...him, or he to Hecuba , That he should weep for her? What would he do , Had he the motive and the cue for passion , That I have? He would drown the stage...
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The American Common-school Reader and Speaker: Being a Selection of Pieces ...

John Goldsbury, William Russell - 1844 - 444 Seiten
...his whole function suiting With forms to his conceit ? And all for nothing ! For HECUBA ! 10 What 's Hecuba to him, or he to Hecuba, That he should weep for her. What would he do, Had he the motive and the cue for passion, That V7 have? He would DROWN the STAGE...
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The Plays and Poems of Shakespeare,: According to the Improved Text ..., Band 14

William Shakespeare - 1844 - 364 Seiten
...his whole function suiting With forms to his conceit ? — and all for nothing ! For Hecuba ! What 's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He would drown the stage...
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Bibliotheca Sacra and Theological Review, Band 2

1845 - 840 Seiten
...visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit. And all for nothing...him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have ? He would drown the stage...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 334 Seiten
...his eyes, distraction In his aspect, A broken voice, and his whole function suiting, With forms la his conceit! and all for nothing; For Hecuba! What's...him, or he to Hecuba, That he should weep for her? Thou look'st a very statue of surprise. As If a lightning blast had dried tbee up. And bad not left...
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The Methodist new connexion magazine and evangelical repository, Band 71

1868 - 844 Seiten
...eyes, distraction in '• aspect, A broken voice, and his whole function suiting With forms to big conceit? And all for nothing ! For Hecuba ! What's...him, or he to Hecuba, That he should weep for her? " SHAKESPEARE. This laborious simulation of feeling must exert an unfavourable influence on the actor's...
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