What we have gotten by this revolution, you will say, is a great deal of good sense. What we have lost is a world of fine fabling; the illusion of which is so grateful to the charmed spirit that in spite of philosophy and fashion. Moral and political dialogues - Seite 346von Richard Hurd - 1811Vollansicht - Über dieses Buch
| H. B. Nisbet, Claude Rawson - 2005 - 978 Seiten
...poetry. Throughout Europe can be heard such comments about the difference between past and present as: 'What we have gotten by this revolution, you will...sense. What we have lost, is a world of fine fabling' (Richard Hurd, 1761); 'We lose taste, but we acquire thought' (Voltaire, 1775); 'Our time, the death... | |
| Martin Banham - 1995 - 1268 Seiten
...from the next century with a mixture of pride and ruefulness: 'What we have gotten by this revolution is a great deal of good sense. What we have lost is a world of fine fabling.' What were such 'ruly' critics to make of the unruly Shakespeare? Dryden's preparedness to admire him... | |
| Martin Banham - 1995 - 1268 Seiten
...from the next century with a mixture of pride and ruefulness: 'What we have gotten by this revolution is a great deal of good sense. What we have lost is a world of fine fabling.1 What were such 'ruly' critics to make of the unruly Shakespeare? Dryden's preparedness to... | |
| Peter Burke - 1997 - 260 Seiten
...scholar Richard Hurd employs a similar phrase when discussing the rise of reason since Spenser's day. 'What we have gotten by this revolution, you will...sense. What we have lost is a world of fine fabling.'" At all events, one finds this awareness in Fontenelle, in Vico, in Montesquieu and elsewhere in the... | |
| Vernon Hyde Minor - 1997 - 326 Seiten
...allegorical "exorbitancy." Ruchard Hurd wrote in Letters on Chivalry and Romance (1762), "What we have got by this revolution, you will say, is a great deal...sense. What we have lost, is a world of fine fabling." 61 For Ripa see the new edition edited by Piero Buscaroli, with a preface by Mario Praz (Milan: Editori... | |
| Thomas Pfau, Robert F. Gleckner - 1998 - 492 Seiten
...illusions" of "the age of chivalry" was Hurd's lament for the "revolution" away from gothic style: "What we have lost, is a world of fine fabling; the...illusion of which is so grateful to the charmed Spirit" (120). Gilpin's and Hurd's ambivalent elegies on English national character resound through Burke 's... | |
| Emma Clery, Robert Miles - 2000 - 322 Seiten
...her will, to ally herself with strict truth, if she would gain admittance into reasonable company. What we have gotten by this revolution, you will say,...Spirit; that, in spite of philosophy and fashion, Faery Spenser still ranks highest among the Poets; I mean with all those are either come of that house,... | |
| Miranda J. Burgess - 2000 - 330 Seiten
...illusions" of "the age of chivalry" was Hurd's lament for the "revolution" away from English gothic style: "What we have lost, is a world of fine fabling; the...illusion of which is so grateful to the charmed Spirit" (12o). When I call English gothic a "myth," I do not mean that it lacks historical foundations in either... | |
| Betsy Bolton - 2001 - 298 Seiten
...her will, to ally herself with strict truth, if she would gain admittance into reasonable company. What we have gotten by this revolution, you will say,...good sense. What we have lost, is a world of fine fabling.22 Fancy - the unacceptable fancy of romance - is here feminized, and Hurd oscillates between... | |
| Horst Albert Glaser, György Mihály Vajda - 2000 - 784 Seiten
...den philosophischen Geist (»philosophy«) seiner Zeit: What we have gotten by this revolution [...], is a great deal of good sense. What we have lost, is a world of fine fabling [...].82 Die Beschäftigung mit der Poesie des mittelalterlichen Rittertums soll archaische Leidenschaften... | |
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