...proximate source of the passage in the Tempest, Marlowe's Hero and Leander (I. 346-7) has been suggested: Where all is whist and still, Save that the sea, playing on yellow sand, etc. Among later poets who have thus employed yellow and tawny are Wordsworth, Peter Bell 61 (cf. Evening...

...proximate source of the passage in the Tempest, Marlowe's Hero and Leander (1. 346-7) has been suggested: Where all is whist and still, Save that the sea, playing on yellow sand, etc. Among later poets who have thus employed yellow and tawny are Wordsworth, Peter Bell 61 (cf. Evening...

...the peculiar desolate loneliness of "some old seaside knightly hall" built on the very cliff's edge ! Far from the town, where all is whist and still, Save...yellow sand, Sends forth a rattling murmur to the land, His attitude to all wanton pleasure is also sufficiently clear in such lines as: The richest corn dies,...

...(where all is whist and Still, Saue that the sea playing on yellow sand, Sends foorth a ratling murmure to the land, Whose sound allures the golden ^Morpheus In silence of the night to visite vs) My turret Stands, and there God knowes I play With 'Venus swannes and sparrowes all the...

...Iwhere all is whist and still, Saue that the sea playing on yellow sand, Sends foorth a ratlmg murmure to the land. Whose sound allures the golden Morpheus In silence of the night to visite vs.) 350 My turret stands, and there God knowes I play With Venus swannes and sparrowes all...

..."Gentle youth, forbear To touch the sacred garments which I wear. Upon a rock, and underneath a hill, Far from the town (where all is whist and still, Save...the land, Whose sound allures the golden Morpheus 350 In silence of the night to visit us) That hops about the chamber where I lie, And spends the night...

...waves into silence." Nares cites the parallel passage in Marlowe's Hero and Leander, \ . 346 : When all is whist and still, Save that the sea playing...yellow sand Sends forth a rattling murmur to the land. 376. burden. Undersong. 377. Hark, hark 1 Capell, followed by Steevens, assigns "hark, hark " and "...