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" For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud Which is the hot condition of their blood, If they but hear perchance a trumpet sound, Or any air of music touch their ears,... "
Translations which have obtained the Porson prize in the University of ... - Seite 118
von William Shakespeare - 1850 - 119 Seiten
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The Merchant of Venice

William Shakespeare, Tony Farrell - 2003 - 141 Seiten
...of music touch their ears, You shall perceive them make a mutual stand, 75 Their savage eyes turned to a modest gaze By the sweet power of music. Therefore...rage But music for the time doth change his nature. 80 The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for...
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Il mercante di Venezia

William Shakespeare - 2003 - 240 Seiten
...air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turned to a modest gaze By the sweet power of music. Therefore...feign that Orpheus drew trees, stones, and floods, 80 Since naught so stockish, hard, and full of rage But music for the time doth change his nature....
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Lying Up a Nation: Race and Black Music

Ronald M. Radano - 2003 - 417 Seiten
...part. In Merchant of Venice, Shakespeare proposes an early modern alignment of sonic power and taming: "Their savage eyes turn'd to a modest gaze, / By the sweet power of music."24 Even once notions of race had coalesced in Europe in the late eighteenth and nineteenth centuries,...
Eingeschränkte Leseprobe - Über dieses Buch

Shakespeare and the Classics

Charles Martindale, A. B. Taylor - 2011
...power of music to suspend what is bloody, hatd, and unregenerare in human nature:17 Therefore the poes Did feign that Orpheus drew trees, stones, and floods....rage But music for the time doth change his nature. (5.1-78-81) Editots commonly refer the allusion to the Metomorphoses, which recounts how Orpheus brings...
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Shakespeare, National Poet-Playwright

Patrick Cheney, Patrick Gerard Cheney, Cheney Patrick - 2004 - 319 Seiten
...places we might not expect, as this from Lorenzo to Jessica under the glistening night sky of Belmont: therefore the poet Did feign that Orpheus drew trees, stones, and floods; Since nought so stock fish, hard, and full of rage, But music for the time doth change his nature. The man...
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Music in Shakespearean Tragedy

Frederick William Sternfeld - 2005 - 334 Seiten
...the most famous passage is contained in Lorenzo's speech in the Merchant of Venice glorifying . . . the sweet power of music: therefore, the poet Did feign that Orpheus drew trees, stones, and floods . . . Vi The lines which Old Capulet speaks in Romeo and Juliet at the beginning of Act IV, scene iv...
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Why Shakespeare: An Introduction to the Playwright's Art

G. M. Pinciss - 2005 - 192 Seiten
...clearly regarded as a force of great power: according to Lorenzo in The Merchant of Venice, there is "naught so stockish, hard, and full of rage/ But music for the time doth change his nature." Yet vocal music holds an even higher place. As a kind of rational music, enriched by language and the...
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Shakespeare's Window Into the Soul: The Mystical Wisdom in Shakespeare's ...

Martin Lings - 2006 - 224 Seiten
...particular element, so persistently neglected today, is of an importance that can scarcely be overestimated. Therefore the poet Did feign that Orpheus drew trees, stones and floods, Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. (The Merchant...
Eingeschränkte Leseprobe - Über dieses Buch




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