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" WHATEVER is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive... "
Sketches from Nature: Taken, and Coloured, in a Journey to Margate ... - Seite 132
von George Keate - 1790
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Fabricating Pleasure: Fashion, Entertainment, and Cultural Consumption in ...

Karin A. Wurst - 2005 - 520 Seiten
...company, lively conversation, and the endearment of friendship."3 Regarding the sublime, "whatever is fitted in any sort to excite the ideas of pain,...manner analogous to terror, is a source of the sublime ... it is productive of the strongest emotion which the mind is capable of feeling."4 Burke associated...
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Modern Architectural Theory: A Historical Survey, 1673–1968

Harry Francis Mallgrave - 2009 - 584 Seiten
...qualities in bodies, by which they cause love, or some passion similar to it," the sublime is "whatever is fitted in any sort to excite the ideas of pain...terrible objects, or operates in a manner analogous to terror.""1' His definition is not as startling as it may first appear. Such pain is only a surrogate...
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Sublime Historical Experience

F. R. Ankersmit - 2005 - 510 Seiten
...the sublime experience to death; think of Burke: Whatever is fitted in any sort to excite the idea of pain and danger, that is to say, whatever is in...manner analogous to terror, is a source of the sublime. ... So death is in general a much more affecting idea than pain; because there are very few pains,...
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Regimes of Description: In the Archive of the Eighteenth Century

John B. Bender, Michael Marrinan - 2005 - 312 Seiten
..."single principle" of terror: Whatever is f1tted in any sort to excite the ideas of pain and danger, whatever is in any sort terrible, or is conversant...analogous to terror, is a source of the sublime; that is productive of the strongest emotion which the mind is capable of feeling.1' Burke's sublime was based...
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Correspondences: Medievalism in Scholarship and the Arts

T. A. Shippey, Martin Arnold - 2005 - 260 Seiten
...which was published in 1757, Edmund Burke describes the sublime as that which repels, as "whatever is fitted in any sort to excite the ideas of pain...and danger, that is to say, whatever is in any sort terrible."5 He does not discuss the sublime in relationship to particular works of art, but he does...
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This Grand & Magnificent Place: The Wilderness Heritage of the White Mountains

Christopher Johnson - 2006 - 340 Seiten
...emotions are terror and awe. These feelings are associated with the sublime, as he explained: Whatever is fitted in any sort to excite the ideas of pain...that is, it is productive of the strongest emotion which the mind is capable of feeling. . . . When danger or pain press too nearly, they are incapable...
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Visual Culture: Histories, archaeologies and genealogies of visual culture

Joanne Morra, Marquard Smith - 2006 - 376 Seiten
...Basil Blackwell, 1958 [1757], Sections VII, X, XIII, XV, XVI, pp. 39-40, 42^3, 44-45, 47-50. Whatever is fitted in any sort to excite the ideas of pain,...that is, it is productive of the strongest emotion which the mind is capable of feeling. (I say the strongest emotion, because I am satisfied the ideas...
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Music as Thought: Listening to the Symphony in the Age of Beethoven

Mark Evan Bonds - 2009 - 208 Seiten
...pain rather than pleasure. For Edmund Burke, the sources of the sublime could be found in "whatever is fitted in any sort to excite the ideas of pain,...objects, or operates in a manner analogous to terror." Burke, whose writings circulated widely in German-speaking lands in the second half of the eighteenth...
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The Prose of Things: Transformations of Description in the Eighteenth Century

Cynthia Wall - 2006 - 331 Seiten
...Cambridge University Press, 1985), 35. 19. Edmund Burke defines the source of the sublime as "whatever is fitted in any sort to excite the ideas of pain,...objects, or operates in a manner analogous to terror," and he specifically connects the sublime with power and the masculine, comparing our feelings toward...
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Weer siddert in mij de liefde die het lichaam sloopt: Sapphô van Lésbos ...

Jan Godderis - 2006 - 468 Seiten
...Edmund Burke's beroemde definitie van de karakteristieken van het sublieme in de kunst: " Whatever is fitted in any sort to excite the ideas of pain,...is to say, whatever is in any sort terrible, or is conuersant about terrible objects, or operates in a manner analogous to terror, is a source of the...
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