 | Charles Lamb - 1893 - 450 Seiten
...feel this, as is apparent by tht»'<>- upon a stage is body and bodily action ; what we are consciocis of in reading is almost exclusively the mind, and...different sort of delight with which the same play BO often affects us in the reading and the seeing. It requires little reflection to perceive, that... | |
 | Charles Lamb - 1913 - 596 Seiten
...— to overpower and reconcile the first and obvious prejudices.1 What we see upon a stage is body and bodily action ; what we are conscious of in reading...It requires little reflection to perceive, that if thosecharacters in Shakspeare which are within the precincts of nature, have yet something in them... | |
 | Charles Lamb - 1904 - 460 Seiten
...obvious prejudices.1 What we see upon a stage is body and bodily action ; what we are conscious 20 of in reading is almost exclusively the mind, and...so often affects us in the reading and the seeing. 1 The error of supposing that because Othello's colour does not offend us in the reading, it should... | |
 | William Tenney Brewster - 1907 - 424 Seiten
...such a fallacy as supposing that an Adam and Eve in a picture shall affect us just as they do in the what we are conscious of in reading is almost exclusively...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet somethtng in them which appeals too... | |
 | William Tenney Brewster - 1907 - 424 Seiten
...such a fallacy as supposing that an Adam and Eve in a picture shall affect us just as they do in the what we are conscious of in reading is almost exclusively...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet something in them which appeals too... | |
 | Raymond Macdonald Alden - 1917 - 716 Seiten
...— to overpower and reconcile the first and obvious prejudices.1 What we see upon a stage is body and bodily action; what we are conscious of in reading...so often affects us in the reading and the seeing. . . . Is The Tempest of Shakespeare at all a fit subject for stage representation? It is one thing... | |
 | Raymond Macdonald Alden - 1917 - 362 Seiten
...obvious prejudices.1 What we see upon a stage is body and bodily action; what we are conscious of hi reading is almost exclusively the mind and its movements;...so often affects us in the reading and the seeing. . . . Is The Tempest of Shakespeare at all a fit subject for stage representation? It is one thing... | |
 | Raymond Macdonald Alden - 1921 - 458 Seiten
...unseen—to overpower and reconcile the first and obvious prejudices. 21 What we see upon a stage is body and bodily action; what we are conscious of in reading...so often affects us in the reading and the seeing. 21 The error of supposing that, because Othello's color does not offend us in the rending, it should... | |
 | Edmund David Jones - 1924 - 636 Seiten
...picture shall affect us just as they do in the poem. But in the poem we for a while hav« Paradisaical and bodily action ; what we are conscious of in reading...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet something in them which appeals too... | |
 | Marvin A. Carlson - 1993 - 564 Seiten
...""Ibid., 165. 21Ibid., 144. 22Ibid., 1:99. 224 works against this. "What we see upon the stage is body and bodily action; what we are conscious of in reading is almost exclusively the mind and its movements."23 In reading we can draw from our imagination only such elements of costume, scenery, and... | |
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What we see upon a stage is body and bodily action ; what we are conscious of in reading is almost exclusively the mind and its movements : and this, I think, may sufficiently account for the very different sort of delight with which the same play so... 
