Shakspere's predecessors in the English drama |
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Seite 26
... sense of great- ness . During those fortunate years , the nation , which was destined to expend its vigour in civil struggles and constitutional reforms between 1642 and 1689 , and then to begin that strenuous career of colonisation and ...
... sense of great- ness . During those fortunate years , the nation , which was destined to expend its vigour in civil struggles and constitutional reforms between 1642 and 1689 , and then to begin that strenuous career of colonisation and ...
Seite 32
... sense of beauty , met in the same persons , and were fused into one wayward glit- tering humanity . Ficino , who revealed Plato to Europe , pondered on the occult virtue of amulets . Cardan , a pioneer of physical science , wrote ...
... sense of beauty , met in the same persons , and were fused into one wayward glit- tering humanity . Ficino , who revealed Plato to Europe , pondered on the occult virtue of amulets . Cardan , a pioneer of physical science , wrote ...
Seite 38
... , passed through a furnace in their brains , took form from their invention . In no 1 See my Renaissance in Italy , vol . v . chap . ii . MATERIALS USED BY THE PLAYWRIGHTS . 39 sense can these 38 SHAKSPERE'S PREDECESSORS .
... , passed through a furnace in their brains , took form from their invention . In no 1 See my Renaissance in Italy , vol . v . chap . ii . MATERIALS USED BY THE PLAYWRIGHTS . 39 sense can these 38 SHAKSPERE'S PREDECESSORS .
Seite 39
John Addington Symonds. MATERIALS USED BY THE PLAYWRIGHTS . 39 sense can these men be arraigned for plagiarism or for imitation , although they made free use of all that had been published in the past.1 The Renaissance lent them , not ...
John Addington Symonds. MATERIALS USED BY THE PLAYWRIGHTS . 39 sense can these men be arraigned for plagiarism or for imitation , although they made free use of all that had been published in the past.1 The Renaissance lent them , not ...
Seite 43
... sense impossible . What Goethe calls the Motiviren of a situation was neglected ; but the situation itself was powerfully presented . Bellafront , in Dekker's most celebrated comedy , begins as a bold and beautiful bad woman . Love at ...
... sense impossible . What Goethe calls the Motiviren of a situation was neglected ; but the situation itself was powerfully presented . Bellafront , in Dekker's most celebrated comedy , begins as a bold and beautiful bad woman . Love at ...
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A. H. Bullen actors allegory Arden artistic audience beauty Ben Jonson blank verse called character Chronicle Chronicle Play classical Comedy comic Court criticism death devil dialogue doth Doubtful Plays dramatists Edward Edward III Elizabethan Endimion England English epoch Euphues Euphuism Faustus Friar genius Gorboduc Greek Greene Greene's hand hath heaven hell Henry Heywood holy human Interlude Italian Italy Jonson Juventus King Lady literary literature London Lord Lyly Lyly's lyric Marlowe Marlowe's Masque Master medieval Mephistophilis metre Miracles moral Moral Plays Mosbie motive murder Nash nature noble pageants Pardoner passion personages piece play players playwrights poet poet's poetry popular Prince Queen reign rhyme Romantic Drama scene servant Shakspere Shakspere's soul spirit stage Stukeley style sweet Tamburlaine theatre thee things Thomas thou tion tragedy tragic trochee Vice Wendoll wife Witch of Edmonton woman Yorkshire Tragedy youth
Beliebte Passagen
Seite 86 - Methinks I see in my mind a noble and puissant nation rousing herself like a strong man after sleep, and shaking her invincible locks: methinks I see her as an eagle mewing her mighty youth, and kindling her undazzled eyes at the full mid-day beam ; purging and unsealing her long-abused sight at the fountain itself of heavenly radiance, while the whole noise of timorous and flocking birds, with those also that love the twilight, flutter about, amazed at what she means, and in their envious gabble...
Seite 226 - Thence what the lofty grave tragedians taught In chorus or iambic, teachers best Of moral prudence, with delight received In brief sententious precepts, while they treat Of fate, and chance, and change in human life, High actions, and high passions best describing : Thence to the famous orators repair, Those ancient, whose resistless eloquence Wielded at will that fierce democratic, Shook the arsenal, and fulmined over Greece To Macedon and Artaxerxes...
Seite 634 - Stand still, you ever-moving spheres of Heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente, lente currite, noctis equi! The stars move still, time runs, the clock will strike, The Devil will come, and Faustus must be damned.
Seite 656 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
Seite 509 - Full little knowest thou that hast not tried What hell it is in suing long to bide ; To lose good days that might be better spent, To waste long nights in pensive discontent, To speed to-day, to be put back to-morrow, To feed on hope, to pine with fear and sorrow, To have thy prince's grace yet want her Peers...
Seite 528 - Triumph, my Britain! Thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time...
Seite 319 - But He, her fears to cease, Sent down the meek-eyed Peace ; She, crowned with olive green, came softly sliding Down through the turning sphere His ready harbinger, With turtle wing the amorous clouds dividing; And waving wide her myrtle wand, She strikes a universal peace through sea and land.
Seite 57 - tis the soul of peace ; Of all the virtues 'tis nearest kin to heaven ; It makes men look like gods. The best of men That e'er wore earth about him was a sufferer, A soft, meek, patient, humble, tranquil spirit, The first true gentleman that ever breath'd.
Seite 87 - But what we gained in skill we lost in strength. Our builders were with want of genius curst; The second temple was not like the first; Till you, the best Vitruvius, come at length, Our beauties equal, but excel our strength.
Seite 637 - Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough, That sometime grew within this learned man. Faustus is gone : regard his hellish fall, Whose fiendful fortune may exhort the wise Only to wonder at unlawful things, Whose deepness doth entice such forward wits To practise more than heavenly power permits.