ITALY IN THE NINETEENTH CENTURY, CONTRASTED WITH ITS PAST CONDITION IN THREE VOLUMES. VOL. II1848 |
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Seite 30
... seen remains of an amphitheatre and of a Temple of the Sun. The classical name of the river Velino is the Velinus , " Rosea rura Velini . " Below its conflux with the Nar , or Nera , Terni is placed , on the site of the ancient Umbrian ...
... seen remains of an amphitheatre and of a Temple of the Sun. The classical name of the river Velino is the Velinus , " Rosea rura Velini . " Below its conflux with the Nar , or Nera , Terni is placed , on the site of the ancient Umbrian ...
Seite 39
... seen , their manner is grave , and their scanty business transacted with a quietness unknown to the bustling inhabitants of the North . The ministers of religion move about with a noiseless step and a sombre air , as befit their sacred ...
... seen , their manner is grave , and their scanty business transacted with a quietness unknown to the bustling inhabitants of the North . The ministers of religion move about with a noiseless step and a sombre air , as befit their sacred ...
Seite 41
... seen . " The poet has acknowledged his aversion of school drudgery , but the spirit of the classics thoroughly pos- sessed him , the mere critic could never have felt as he did . From the seventy - eighth to the concluding stanzas of ...
... seen . " The poet has acknowledged his aversion of school drudgery , but the spirit of the classics thoroughly pos- sessed him , the mere critic could never have felt as he did . From the seventy - eighth to the concluding stanzas of ...
Seite 42
... ; every thing may be seen , and thoroughly examined . Mar- vels of art , the chefs - d'œuvres of Raffaelle , Da Vinci , and of their celebrated successors , tempt the frequent visits of the traveller , and are arranged so as 42 ROME.
... ; every thing may be seen , and thoroughly examined . Mar- vels of art , the chefs - d'œuvres of Raffaelle , Da Vinci , and of their celebrated successors , tempt the frequent visits of the traveller , and are arranged so as 42 ROME.
Seite 43
JAMES WHITESIDE. visits of the traveller , and are arranged so as to be seen with most ease and advantage ; all public collections are open stated days free of expense ; the facchino drops his bundle of faggots to gaze on the works of ...
JAMES WHITESIDE. visits of the traveller , and are arranged so as to be seen with most ease and advantage ; all public collections are open stated days free of expense ; the facchino drops his bundle of faggots to gaze on the works of ...
Häufige Begriffe und Wortgruppen
accused admiration adorned amongst ancient Ancient Rome antiquity appeared arches artist ascend assassins Barberini Basilica Beatrice Cenci beautiful behold believe Bernardo bishops body Cæsar called Campagna Canina cardinal castle Christian church Cicero Claude columns confession crime cross death descend dome edifice Emperor Esquiline Esquiline Hill Etruscan exhibition eyes famous favour feet fountains Francesco gardens gardens of Sallust genius Giacomo Guerra heard heart Holiness innocent Italian Italy Jesuits judge justice labours landscape painters Lucrezia marble Marzio ment mind modern monk Monte monument morning nature never Nicolas Poussin Niebuhr noble obelisk Olimpio painting palace Papal passed Perugia Peter's Petrella Piazza picture Pincian Hill Pompey Porta Porta Pia portico Poussin priest prison Quirinal hill Raffaelle Rimini Roman Rome ruins Salvator Rosa scene seen sketch spot stand statue stood streets temple Tiber tion torture tribunals Vatican Via Sacra Villa walk walls
Beliebte Passagen
Seite 19 - Alas, the lofty city ! and alas, The trebly hundred triumphs ! and the day When Brutus made the dagger's edge surpass The conqueror's sword in bearing fame away ! Alas for Tully's voice, and Virgil's lay, And Livy's pictured page ! But these shall be Her resurrection ; all beside— decay. Alas, for Earth, for never shall we see That brightness in her eye she bore when Rome was free ! LXXXIII.
Seite 10 - Then farewell, Horace; whom I hated so, Not for thy faults, but mine; it is a curse To understand, not feel thy lyric flow, To comprehend, but never love thy verse...
Seite 179 - Then Peter opened his mouth, and said, "Of a truth I perceive that God is no respecter of persons: But in every nation he that feareth him, and worketh righteousness, is accepted with him.
Seite iii - With venerable grandeur mark the scene. Could nature's bounty satisfy the breast, The sons of Italy were surely blest. Whatever fruits in different climes...
Seite 17 - Whatever withdraws us from the power of our senses; whatever makes the past, the distant, or the future predominate over the present — advances us in the dignity of thinking beings.
Seite 31 - mid the assassins' din, At thy bathed base the bloody Caesar lie, Folding his robe in dying dignity, An offering to thine altar from the queen Of gods and men, great Nemesis! did he die, And thou, too, perish, Pompey ? have ye been Victors of countless kings, or puppets of a scene ? LXXXVIII.
Seite 229 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Seite 148 - They were put to death with exquisite cruelty, and to their sufferings Nero added mockery and derision. Some were covered with the skins of wild beasts, and left to be devoured by dogs ; others were nailed to the cross ; numbers were burnt alive ; and many, covered orer with inflammable matter, were lighted up, when the day declined, to serve as torches during the night.
Seite 16 - I AM in Rome ! Oft as the morning ray Visits these eyes, waking at once I cry, Whence this excess of joy ? What has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts li nsh on my mind, a thousand images ; And I spring up as girt to run a race...
Seite 145 - I consider this mighty structure as a monument of the insufficiency of human enjoyments. A king whose power is unlimited and whose treasures surmount all real and imaginary wants is compelled to solace, by the erection of a pyramid, the satiety of dominion and tastelessness of pleasures, and to amuse the tediousness of declining life by seeing thousands labouring without end, and one stone for no purpose laid upon another.