The Plays of William Shakespeare: With the Corrections and Illustrations of Various Commentators, Band 4C. and A. Conrad, 1806 |
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Seite 56
... heart : ] The harmony of the measure , the easiness of the expression , and the good sense in the thought , all concur to recommend these two lines to the read- er's notice . Warburton . 9 that my heart means no ill . ] That my heart ...
... heart : ] The harmony of the measure , the easiness of the expression , and the good sense in the thought , all concur to recommend these two lines to the read- er's notice . Warburton . 9 that my heart means no ill . ] That my heart ...
Seite 59
... heart on thy every part . Thine , in the dearest design of industry , DON ADRIANO DE ARMADO . Thus dost thou hear1 the Nemean lion roar ' Gainst thee , thou lamb , that standest as his prey ; Submissive fall his princely feet before ...
... heart on thy every part . Thine , in the dearest design of industry , DON ADRIANO DE ARMADO . Thus dost thou hear1 the Nemean lion roar ' Gainst thee , thou lamb , that standest as his prey ; Submissive fall his princely feet before ...
Seite 61
... heart at root- . " instead of a grief that shoots . In Ireland , where , I believe , much of the pronunciation of Queen Elizabeth's age is yet retained , the word suitor is at this day pronounced by the vulgar as if it were written ...
... heart at root- . " instead of a grief that shoots . In Ireland , where , I believe , much of the pronunciation of Queen Elizabeth's age is yet retained , the word suitor is at this day pronounced by the vulgar as if it were written ...
Seite 70
... heart . " Malone . claws him with a talent . ] Honest Dull quibbles . One of the senses of to claw , is to flatter . So , in Much Ado about Nothing : " -laugh when I am merry , and claw no man in his hu- mour . Steevens . 97 Hol . This ...
... heart . " Malone . claws him with a talent . ] Honest Dull quibbles . One of the senses of to claw , is to flatter . So , in Much Ado about Nothing : " -laugh when I am merry , and claw no man in his hu- mour . Steevens . 97 Hol . This ...
Seite 72
... heart from Mantuanus , comments upon the character of that poet . Baptista Spagnolus ( sirnamed Mantuanus , from the place of his birth ) was a writer of poems , who flourished towards the latter end of the 15th century . Theobald ...
... heart from Mantuanus , comments upon the character of that poet . Baptista Spagnolus ( sirnamed Mantuanus , from the place of his birth ) was a writer of poems , who flourished towards the latter end of the 15th century . Theobald ...
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alludes Amadis de Gaula ancient Ansaldo Antonio Armado Bass Bassanio Beat Beatrice believe Ben Jonson Benedick Biron Bora Boyet called Claud Claudio Costard Cupid Dogb doth ducats Duke editions editor emendation Enter Exeunt Exit eyes fair father flesh fool Giannetto give grace Gratiano hath hear heart Hero honour John Johnson King Henry lady Laun Launcelot Leon Leonato letter lord Lorenzo Love's Labour's Lost madam Malone marry Mason master master constable means Merchant of Venice merry Midsummer Night's Dream Monarcho Moth musick never night old copies passage Pedro peize play poet Pompey Portia praise pray prince princess quarto Ritson romances says scene sense Shakspeare Shakspeare's Shylock signifies signior speak Steevens suppose swear sweet tell thee Theobald thing thou tongue true Tyrwhitt unto Venice Warburton word
Beliebte Passagen
Seite 365 - I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge?
Seite 317 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Seite 320 - If to do were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than to be one of the twenty to follow mine own teaching.
Seite 349 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Seite 415 - By the sweet power of music: therefore the poet Did feign that Orpheus drew trees, stones and floods; Since nought so stockish, hard and full of rage, But music for the time doth change his nature.
Seite 407 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Seite 157 - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, 920 Unpleasing to a married ear!
Seite 415 - Touching musical harmony, whether by instrument or by voice, it being but of high and low in sounds a due proportionable disposition ; such notwithstanding is the force thereof, and so pleasing effects it hath in that very part of man which is most divine, that some have been thereby induced to think that the soul itself by nature is or hath in it harmony.