The Roman Elegiac PoetsKarl Pomeroy Harrington American book Company, 1914 - 444 Seiten |
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Seite 28
... Alexandrian school is 1 Successor fuit hic [ Tibullus ] tibi , Galle , Propertius illi ; quartus ab his serie temporis ipse fui . — Trist . 4 , 10 , 53 . - 2 E.g. Am . 3 , 9 , 59-65 ; Trist . 2 , 427 sqq . 8 2 , 34 , 85 sqq . 4 ...
... Alexandrian school is 1 Successor fuit hic [ Tibullus ] tibi , Galle , Propertius illi ; quartus ab his serie temporis ipse fui . — Trist . 4 , 10 , 53 . - 2 E.g. Am . 3 , 9 , 59-65 ; Trist . 2 , 427 sqq . 8 2 , 34 , 85 sqq . 4 ...
Seite 29
... Alexandrian influence ( cf. $$ 42 , 43 ) . Not merely the considerable proportion of epi- grams and the subjects of various elegies but also the wealth of mythological learning displayed in such poems as No. 68 show that even in ...
... Alexandrian influence ( cf. $$ 42 , 43 ) . Not merely the considerable proportion of epi- grams and the subjects of various elegies but also the wealth of mythological learning displayed in such poems as No. 68 show that even in ...
Seite 43
... Alexandrian elegy . But no poet has suc- ceeded better in exemplifying the dictum that the highest art consists in the concealment of art . He never obtrudes his learning upon the reader , as Propertius did , and in spite of many ...
... Alexandrian elegy . But no poet has suc- ceeded better in exemplifying the dictum that the highest art consists in the concealment of art . He never obtrudes his learning upon the reader , as Propertius did , and in spite of many ...
Seite 44
... Alexandrian , models we cannot doubt . While we are not warranted in pressing too far our zeal to discover traces of elab- orate symmetry in the composition of the elegies , traces of such symmetry appear . Though it is impossible to ...
... Alexandrian , models we cannot doubt . While we are not warranted in pressing too far our zeal to discover traces of elab- orate symmetry in the composition of the elegies , traces of such symmetry appear . Though it is impossible to ...
Seite 50
... Alexandrian impetus which is seen in his earliest work was concentrated on this absorbing affection and its object , and he tells the world of her golden hair , her taper fingers , her sparkling black eyes , and her stately carriage ...
... Alexandrian impetus which is seen in his earliest work was concentrated on this absorbing affection and its object , and he tells the world of her golden hair , her taper fingers , her sparkling black eyes , and her stately carriage ...
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Alexandrian Amor Apollo aqua arma atque Augustus Baehrens Baiae Callimachus canam caput carmina castra Catullus Cerinthus Codex comas cura Cynthia death dedit deos elegiac elegy Ennius Epod erat erit facta fata fuit Greek haec Heroides hexameter ignes illa illi Intr Iovis ipsa ipse iugera Iuppiter Lachmann Laodamia Lesbia licet Livy longa lover Lygdamus manus meis Messalla mihi modo mors multa neque nobis nomen nunc omnia ossa Ovid parva pater pede poem poet poet's poetic poetry Postgate probably Prop Propertius Protesilaus puella quae quam quid quis quod quoque refers Roman Rome sacra saepe semper signa spondees Sulpicia sunt tamen Tarpeia terque terra tibi Tibullus tion Trist tuae tuis turba ulla umbra unda venit Venus verba Verg Vergil verse vita