I needs must fail; impute not as a crime Zar. I have not leisure now to take so poor Think fit, I'll leave thee my command to die. Of such ingredients mix'd, as will with speed Thou shalt partake. Since fates no more afford; SCENE II-Opening, shows the Prison. Enter GONSALEZ, disguised like a Mute, with a Dagger. Gon. Nor centinel nor guard! the doors unbarr'd! And all as still as at the noon of night! Then cast my skin, and leave it there to answer it. [Goes in. Enter GARCIA and ALONZO, Had enter'd long ere now, and borne down all you call The Moor, is dead. That Osmyn was Alphonso; In whose heart's blood this poignard yet is warm Gar. Impossible! for Osmyn was, while flying, Pronounc'd aloud by Perez for Alphonso. Gon. Enter that chamber, and convince your eyes, How much report has wrong'd your easy faith. [GARCIA goes in Alon. My lord, for certain truth. Perez is fled; And has declar'd the cause of his revolt Was to revenge a blow the king had given him. Gar. [Returning.] Ruin and horror! Oh, heart-wounding sight! Gon. What says my son? What ruin? Ha! what horror? Gar. Blasted my eyes, and speechless be my Rather than or to see, or to relate Gon. Alon. The king! Gar. Dead, weltering, drown'd in blood. See, see, attir'd like Osmyn, where he lies. [They look in Oh, whence, or how, or wherefore was this done? But what imports the manner or the cause Nothing remains to do, or to require, But that we all should turn our swords against Ourselves, and expiate with our own, his blood. Gon. Oh, wretch! Oh, cursed, rash, deluded fool! On me, on me turn your avenging swords. Gar. Ha! what! atone this murder with a greater! The horror of that thought has damp'd my rage. Gar. Where, where, Alonzo, where's my fa- Oppress her not, nor think to stain her face ther? where The king? Confusion! all is on the rout! Alon. My lord, he entered but a moment since, And could not pass me unperceiv'd-What, hoa! My lord! my lord! What, hoa! my lord Gonsalez ! Enter GONSALEZ, bloody. Gon. Perdition choke your clamours-whence this rudeness? Garcia ! Gar. Perdition, slavery, and death, Are entering now our doors. Where is the king? What means this blood, and why this face of horror? Gon. No matter-give me first to know the cause Of these your rash and ill-timed exclamations. Gar. The eastern gate is to the foe betray'd, Who, but for heaps of slain that choke the passage, With more unnatural blood. Murder my fa ther! Better with this to rip up my own bowels, Gon. Oh, my son! from the blind dotage Whose weight has sunk me, ere I reach'd the shore. Gar. Fatal ambition! Hark! the foe is enter'd: [Shout. The shrillness of that shout speaks them at hand. We have no time to search into the cause The few remaining soldiers with despair, Alon. My lord, I've thought how to conceal the | With haggard eyes? Why are your arms across ? body. Require me not to tell the means, till done, Lest you forbid what yon may then approve. [Goes in. Shout. Gon. They shout again! Whate'er he means to do, 'Twere fit the soldiers were amus'd with hopes; And in the mean time fed with expectation To see the king in person at their head. Gar. Were it a truth, I fear 'tis now too late. But I'll omit no care, nor haste; and try, Or to repel their force, or bravely die. Re-enter ALONZO. Gon. What hast thou done, Alonzo ? Alon. Such a deed As but an hour ago I'd not have done, [Exit. Though for the crown of universal empire. Or what can wound the dead?-I've from the body Sever'd the head, and in an obscure corner Which may be still mistaken by the guards Gon. 'Twas an act of horror: And of a piece with this day's dire misdeeds. [Exeunt severally. Enter ZARA, followed by SELIM and two Mutes, bearing the Bowls. Zar. Silence and solitude are every where. And crash of rusty bars and creeking hinges : Let 'em set down the bowls, and warn Alphonso Zar. What have you seen? Ha! wherefore stare you thus, signs? Give me more ample knowledge of this mourning His hellish rage had wanted means to act, warded. [Dies. Zar. As thou art now-and I shall quickly be. But, oh, he died, unknowing in my heart. Enter ALMERIA and LEONORA. Alm. Oh, let me seek him in this horrid cell. Leon. Heavens! what dismal scene Alm. Show me; for I am come in search ot death, But want a guide, for tears have dimm'd my sight. [The Mutes return and look affrighted. | Zara all pale and dead! two frightful men, Who seem the murderers, kneel weeping by; Alm. Oh, I foreknow, foresee that object. savage! Had they or hearts or eyes that did this deed? And of a sudden I am calm, as if All things were well; and yet my husband's murder'd! Yes, yes, I know to mourn! I'll sluice this heart, The source of wo, and let the torrent loose. -Those men have left to weep! they look on me! I hope they murder all on whom they look. Their heads in sign of grief and innocence! [They point at the bowl on the ground. And point! What mean they? Ha! a cup! Oh, well, I understand what medicine has been here. Oh, for another draught of death-What [They point at the other cup. Ha! point again! 'tis there, and full, I hope. Thanks to the liberal hand that fill'd thee thus; I'll drink my glad acknowledgmentLeon. Oh, hold, For mercy's sake, upon my knee I beg Alm. With thee the kneeling world should beg in vain. Seest thou not there? Behold who prostrate lies, And pleads against thee; who shall then prevail? But spouting veins, and mangled flesh! Oh, oh! Enter ALPHONSO, HELI, PEREZ, with GARCIA Prisoner. Guards and Attendants. Alph. Away, stand off, where is she? let me fly, Save her from death, and snatch her to my heart. Alm. Oh! her up The words of joy and peace; warm thy cold beauties With the new flushing ardour of my cheek; Give a new birth to thy long-shaded eyes, Alm. Where am I? Heaven! what does this dream intend? Alph. Oh, may'st thou never dream of lese delight, Nor ever wake to less substantial joys. Alm. Given me again from death! Oh, all ye powers, Confirm this miracle! Can I believe And living?—Yes, I will; I've been abus'd Alph. Oh, my heart's comfort, 'tis not given to this Frail life to be entirely bless'd. E'en now, Has turn'd their own most bloody purposes, Nay, I must grant, 'tis fit you should be thus[She weeps Let 'em remove the body from her sight. Whose virtue has renounc'd thy father's crimes, been? THE tragedy thus done, I am, you know, THE CLANDESTINE MARRIAGE: A COMEDY, IN FIVE ACTS. BY GARRICK AND COLMAN. REMARKS. THIS Comedy was produced at Drury-lane Theatre early in 1766, being the joint production of Garrick and the elder Colman. It is recorded by Davies, that no dramatic piece, since the days of Beaumont and Fletcher, had been written by two authors, in which wit, fancy, and humour, were so happily blended The part of Lord Ogleby, principally written by Mr. Garrick, was intended for himself; but in consequence of his increasing infirmities, it devolved on Mr. King, who gave it that marked and brilliant originality which distinguished his acting From the traits of character throughout this play, may be derived much useful reflection.-The mercenary maxims and views of Sterling, the vulgar consequence of Mrs. Heidelberg, and the meanness of Miss Sterling; are well set off by the solicitudes of the amiable Fanny and her husband; the eccentricities of Lord Ogleby and his Swim non-descript; and the agreeable variety of the subordinate characters. ACT I. SCENE I-A Room in STERLING'S House. Enter MISS FANNY, and BETTY, meeting. Bet. [Running in.] Ma'am! Miss Fanny! Ma'am! Fan. What's the matter, Betty? Bet. Oh la! Ma'am! as sure as I am alive, here is your husband-I saw him crossing the court-vard in his boots. Bet. Dear Ma'am, you may depend upon me. There is not a more trustier creature on the face of the earth than I am. Though I say it, I am as secret as the grave-and if it is never told till I tell it, it may remain untold till doomsday for Betty. Fun. I know you are faithful-but in our cir cumstances we cannot be too careful. Bet. Very true, Ma'am! and yet I vow and protest there's more plague than pleasure with a secret; especially if a body mayn't mention it to four or five of one's particular acquaintance. Fan. I'm glad to hear it.-But pray now, my Fan. Do but keep this secret a little while dear Betty, be cautious. Don't mention that word longer, and then I hope you may mention it to again on any account. You know we have agreed any body-Mr. Lovewell will acquaint the faminever to drop any expressions of that sort, for fearly with the nature of our situation as soon as posof an accident. sible. |