The Plays and Poems of Shakespeare,: According to the Improved Text of Edmund Malone, Including the Latest Revisions, : with a Life, Glossarial Notes, an Index, and One Hundred and Seventy Illustrations, from Designs by English Artists, Band 1Henry G. Bohn, 1844 |
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Seite xv
... characters , not only of his young as- sociates , but of all around him ; a study , in which , unquestionably , he took great delight , and pursued with avidity during the whole course of his future life . Fuller , who was a diligent ...
... characters , not only of his young as- sociates , but of all around him ; a study , in which , unquestionably , he took great delight , and pursued with avidity during the whole course of his future life . Fuller , who was a diligent ...
Seite xxiv
... characters of the lowest class , and that his rising talents afterwards recom- mended him to the personation of a more elevated range of parts . John Aubrey , a student at Oxford , only 26 years after the poet's death , strongly sub ...
... characters of the lowest class , and that his rising talents afterwards recom- mended him to the personation of a more elevated range of parts . John Aubrey , a student at Oxford , only 26 years after the poet's death , strongly sub ...
Seite xxvi
... characters . Mr. Rowe has mentioned as the sole result of his in- quiries , that he excelled in representing the Ghost in Hamlet ; and if the names of the actors prefixed to ' Every Man in his Humor ' were arranged in the same order as ...
... characters . Mr. Rowe has mentioned as the sole result of his in- quiries , that he excelled in representing the Ghost in Hamlet ; and if the names of the actors prefixed to ' Every Man in his Humor ' were arranged in the same order as ...
Seite xxvii
... character of Adam , in As You Like It , ' there can be no doubt : and hence , perhaps , we may be warranted in the conclusion , that the representation of aged charac- ters was peculiarly his forte . We now come to that era in the life ...
... character of Adam , in As You Like It , ' there can be no doubt : and hence , perhaps , we may be warranted in the conclusion , that the representation of aged charac- ters was peculiarly his forte . We now come to that era in the life ...
Seite xxxvii
... characters of the age . At this moment he was employed on ' Every Man out of his Humor , " which was acted in 1599 ; and , in the elegant de- dication of that comedy to the gentlemen of the Inns of Court , he says , ' When I wrote this ...
... characters of the age . At this moment he was employed on ' Every Man out of his Humor , " which was acted in 1599 ; and , in the elegant de- dication of that comedy to the gentlemen of the Inns of Court , he says , ' When I wrote this ...
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Ariel Ben Jonson boatswain Caliban comedy conjecture criticism daughter didst diligence dost doth drama duke of Milan Eglamour Enter Exeunt Exit eyes father faults Ferdinand genius gentle gentlemen GENTLEMEN OF VERONA give Gonzalo grace hath hear heart heaven Henry VI high bailiff honor island Jonson Julia king knowlege labor lady ladyship language Launce learning living look lord Lucetta Malone Marry master mind Miranda mistress monster Naples nature never passion play poet Pr'ythee praise pray Prospero Rowe SCENE Sebastian servant Shak Shakspeare Shakspeare's sir Proteus sir Thurio sometimes speak Speed spirit Stephano strange Stratford Stratford-on-Avon Susanna Hall sweet Sycorax tell thee thine thing thou art thou hast Thou shalt thought tragedy Trin Trinculo Tunis unto Valentine Verona wool-stapler words writers youth
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Seite 44 - Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Seite 83 - Where the bee sucks, there suck I ; In a cowslip's bell I lie : There I couch*. When owls do cry, '} \ On the bat's back I do fly, After summer, merrily : Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
Seite lx - His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated and...
Seite cvi - All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation : he was naturally learned ; he needed not the spectacles of books to read nature ; he looked inwards, and found her there.
Seite li - IN the name of God, Amen. I William Shakspeare, of Stratford-upon-Avon, in the county of Warwick, gent., in perfect health and memory (God be praised), do make and ordain this my last will and testament in manner and form following : that is to say — First, I commend my soul into the hands of God my Creator, hoping, and assuredly believing, through the only merits of Jesus Christ my Saviour, to be made partaker of life everlasting; and my body to the earth whereof it is made.
Seite 5 - But that the sea, mounting to the welkin's cheek, Dashes the fire out. O ! I have suffer'd With those that I saw suffer : a brave vessel, Who had no doubt some noble creature in her, Dash'd all to pieces. O ! the cry did knock Against my very heart. Poor souls, they perish'd.
Seite 110 - I have no other but a woman's reason : I think him so, because I think him so.
Seite 82 - The charm dissolves apace ; And as the morning steals upon the night, Melting the darkness, so their rising senses Begin to chase the ignorant fumes that mantle Their clearer reason.
Seite lxxiii - The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players.
Seite cix - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath from the leaves of thy unvalued book Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble with too much conceiving, And so sepulchred in such pomp dost lie That kings for such a tomb would wish to die.