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HE original numbers of the Tatler were reissued in two forms in 1710-11; one edition,
in octavo, being published by subscription, while the other, in duodecimo, was for the general public. The present edition has been printed from a copy of the latter issue, which, as recorded on the title-page, was "revised and corrected by the Author"; but I have had by my side, for constant reference, a complete set of the folio sheets, containing the "Lucubrations of Isaac Bickerstaff” in the form in which they were first presented to the world. Scrupulous accuracy in the text has been aimed at, but the eccentricities of spellingwhich were the printer's, not the author's—have not been preserved, and the punctuation has occasionally been corrected.
The first and the most valuable of the annotated editions of the Tatler was published by John Nichols and others in 1786, with notes by Dr. Percy, Bishop of Dromore, Dr. John Calder, and Dr. Pearce, Bishop
of Rochester; and though these notes are often irrelevant and out of date, they contain an immense amount of information, and have been freely made use of by subsequent editors. I have endeavoured to preserve what is of value in the older editions, and to supplement it, as concisely as possible, by such further information as appeared desirable. The eighteenth-century diaries and letters published of late years have in many cases enabled me to throw light on passages which have hitherto been obscure, and sometimes useful illustrations have been found in the contemporary newspapers and periodicals.
The portraits of Steele, Addison, and Swift, the writers most associated with the Tatler, have been taken from contemporary engravings in the British Museum; and the imaginary portrait of Isaac Bickerstaff in the last volume is from a rare picture drawn by Lens in 1710 as a frontispiece to collections of the original folio numbers.
G. A. A.
HEN the first number of the Tatler appeared in 1709, Steele and Addison were about thirty-seven years of age, while Swift, then still counted among the Whigs, was more than four years their senior. Addison and Steele had been friends at the Charterhouse School and at Oxford, and though they had during the following years had varying experiences, their friendship had in no way lessened. Addison had been a fellow of his college, had gained the patronage of Charles Montague and Lord Somers, had made the grand tour, and published an account of his travels; had gained popularity by his poem "The Campaign," written in celebration of the victory at Blenheim; had been made an Under-Secretary of State, and finally (in December 1708) had been appointed secretary to Lord Wharton, the Lord Lieutenant of Ireland. Steele, on the other hand, had enlisted in the Guards, without taking any degree; had obtained an ensign's commission after dedicating to Lord Cutts a poem on Queen Mary's death; and had written a little book called "The Christian Hero," designed "to fix upon his own mind a strong impression
of virtue and religion, in opposition to a stronger propensity towards unwarrantable pleasures." At the close of the same year (1701) he brought out a successful comedy, "The Funeral," which was followed by "The Lying Lover" and "The Tender Husband," plays which gave strong evidence of the influence of Jeremy Collier's attack on the immorality of the stage. "The Tender Husband" owed "many applauded strokes" to Addison, to whom it was dedicated by Steele, who wished "to show the esteem I have for you, and that I look upon my intimacy with you as one of the most valuable enjoyments of my life." 1705 Steele married a lady with property in Barbados, and on her death married, in 1707, Mary Scurlock, the “dear Prue" to whom he addressed his well-known letters. For the rest, he had been made gentleman-waiter to Prince George of Denmark, and appointed Gazetteer, with a salary of £300, less a tax of £45 a year. He was disappointed in his hopes of obtaining the Under-Secretaryship vacated by Addison.
From 1705 onwards there is evidence of frequent and familiar intercourse between Swift and Addison and Steele. After Sir William Temple's death, Swift had become chaplain to the Earl of Berkeley, who gave him the living of Laracor; and during a visit to England in 1704 he had gained a position in the front rank of authors by the "Tale of a Tub " and the "Battle of the Books." At the close of 1707 he was again in England, charged with a mission to obtain for the Irish clergy the remission of First Fruits and Tenths already conceded to the English, and throughout 1708 what he calls "the triumvirate of
Addison, Steele and me" were in constant communication. In that year Swift published a pamphlet called "A Project for the Advancement of Religion and the Reformation of Manners," which anticipated many of the arguments used in the Tatler and Spectator; and he also commenced his attack on John Partridge, quack doctor and maker of astrological almanacs. On the On the appearance of Partridge's "Merlinus Liberatus" for 1708, Swift-borrowing a name from the signboard of a shoemaker-published "Predictions for the year 1708, wherein the month and day of the month are set down, the persons named, and the great actions and events of next year particularly related, as they will come to pass. Written to prevent the people of England from being further imposed on by vulgar almanackmakers. By Isaac Bickerstaff, Esq." Isaac Bickerstaff professed to be a true astrologer, disgusted at the lies told by impostors, and he said that he was willing to be hooted at as a cheat if his prophecies were not exactly fulfilled. His first prediction was that Partridge would die on the 29th of March; and on the 30th a second pamphlet was published, "The accomplishment of the first of Mr. Bickerstaff's Predictions . . in a letter to a person of quality, in which a detailed account is given of Partridge's death, at five minutes after seven, by which it is clear that Mr. Bickerstaff was mistaken almost four hours in his calculation. .. Whether he had been the cause of this poor man's death, as well as the predictor, may be very reasonably disputed." The joke was maintained by Swift and others in various pieces, and when Partridge, in his almanac for 1709, protested that he was still living, Swift