King John: New Perspectives
Illuminating Shakespeare's complex experimentation with the dramatic genre of history, these twelve essays bring such time-honored critical methods as source study and concentration on genre, imagery and language, theme, and character together with more current techniques based on historiography, the new historicism, feminism, pragmatics, performance history, and perspectivism.
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The Historiographic Methodology of King John
King John and The Troublesome Raigne A Reexamination
King John A Study in Subversion and Containment
Patriarchal History and Female Subversion in King John
The Kings One Body Unceremonial Kingship in King John
So Jest with Heaven Deity in King John
Blots Stains and Adulteries The Impurities in King John
The Four Voices of the Bastard
action appears Arthur Association attempt audience authority Bastard becomes Blanch body calls ceremony character Church claim Constance Constance's course created critics death describes director drama earlier effect Elinor Elizabethan England English essay example expression fact father Faucit Faulconbridge figure final forces France French give hand heaven Helen Henry historiographic history plays Holinshed Hubert ideal John's King John knows language later less Lewis lines London lords majesty meaning moral mother nature never nobles notes observes Pandulph past patriarchal pattern performance perspective Philip political present Press Prince production provides question reference represent response rhetoric Richard Robert role royal scene seems sense Shake Shakespeare Shakespeare's History speaks speech stage succession suggests tetralogy Theatre thou tion Troublesome Raigne University voice women