Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 129
... speech into which another actor's responding speech will seem to fit exactly . In the modern detextualised theatre , where suc- cessive speeches are framed to imply discontinuities or alienation , the creation of such speech - receptors ...
... speech into which another actor's responding speech will seem to fit exactly . In the modern detextualised theatre , where suc- cessive speeches are framed to imply discontinuities or alienation , the creation of such speech - receptors ...
Seite 214
... speech - she is surely the loveliest page that ever served an impossible Prince of Dalmatia , but that was to be expected - but in every shade of feeling , in every im- pulse , in every change of facial expression , she completely ...
... speech - she is surely the loveliest page that ever served an impossible Prince of Dalmatia , but that was to be expected - but in every shade of feeling , in every im- pulse , in every change of facial expression , she completely ...
Seite 297
... speech as a statement of fact , Mr Hands did not merely ' veil ' her ' like a cloistress ' , but dressed her in flowing black and white nun's robes ; when Viola asked to see her face , Olivia removed not just the nun's veil but her ...
... speech as a statement of fact , Mr Hands did not merely ' veil ' her ' like a cloistress ' , but dressed her in flowing black and white nun's robes ; when Viola asked to see her face , Olivia removed not just the nun's veil but her ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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