Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 22
... speak loudly or when you speak slowly . The wonder is that actors do as well as they do . Top - ranking perform- ers like Olivier or Sybil Thorndike or Edith Evans can make vast auditoria seem intimate by sheer force of mag- netism . A ...
... speak loudly or when you speak slowly . The wonder is that actors do as well as they do . Top - ranking perform- ers like Olivier or Sybil Thorndike or Edith Evans can make vast auditoria seem intimate by sheer force of mag- netism . A ...
Seite 49
... speak to the twentieth century and your own ( or indeed the Royal Shakespeare Company's attempt to make a play speak to the twentieth century ) , is between what you've described as Guthrie's inventive over- lay and what you would ...
... speak to the twentieth century and your own ( or indeed the Royal Shakespeare Company's attempt to make a play speak to the twentieth century ) , is between what you've described as Guthrie's inventive over- lay and what you would ...
Seite 332
... Speaking in Illyria , " in The Times Lit- erary Supplement , No. 4591 , March 29 , 1991 , p . 16 . Surprisingly , and disappointingly , this production lacks direction . Its aim is plain , and deserving of applause ; let Shakespeare speak ...
... Speaking in Illyria , " in The Times Lit- erary Supplement , No. 4591 , March 29 , 1991 , p . 16 . Surprisingly , and disappointingly , this production lacks direction . Its aim is plain , and deserving of applause ; let Shakespeare speak ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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