The Dramatic Works of William Shakespeare, Bände 5-6Collins & Hannay, 1824 |
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Seite 6
... scene where the Bastard is represented as plundering a monastery , there are strokes of humour , which seem , from their particular turn , to have been most evidently produced by another hand than that of our au- thor . Of this ...
... scene where the Bastard is represented as plundering a monastery , there are strokes of humour , which seem , from their particular turn , to have been most evidently produced by another hand than that of our au- thor . Of this ...
Seite 11
William Shakespeare. KING JOHN . ACT I. SCENE 1 .-- Northampton . A Room of State in the Puluce . Enter King JOHN , Queen ELINOR , Pembroke , Essex , Sa- LISBURY , and others , with CHATILLON , King John . Now , say , Chatillon , what ...
William Shakespeare. KING JOHN . ACT I. SCENE 1 .-- Northampton . A Room of State in the Puluce . Enter King JOHN , Queen ELINOR , Pembroke , Essex , Sa- LISBURY , and others , with CHATILLON , King John . Now , say , Chatillon , what ...
Seite 27
... SCENE II . [ Exeunt . Alarums and Excursions : then a retreat . Enter a French Herald , with trumpets , to the gates . F. Her . You men of Angiers , open wide your gates , And let young Arthur , duke of Bretagne , in ; Who , by the hand ...
... SCENE II . [ Exeunt . Alarums and Excursions : then a retreat . Enter a French Herald , with trumpets , to the gates . F. Her . You men of Angiers , open wide your gates , And let young Arthur , duke of Bretagne , in ; Who , by the hand ...
Seite 35
... SCENE I. - The same . The French King's Tent . Enter CONSTANCE , ARTHUR , and SALISBURY . Constance . GONE to be married ! gone to swear a peace ! False blood to false blood join'd ! Gone to be friends ! Shall Lewis have Blanch ? and ...
... SCENE I. - The same . The French King's Tent . Enter CONSTANCE , ARTHUR , and SALISBURY . Constance . GONE to be married ! gone to swear a peace ! False blood to false blood join'd ! Gone to be friends ! Shall Lewis have Blanch ? and ...
Seite 40
... scene . So many passages remain in which Shakespeare evidently takes his advantage of the facts then recent , and of the passions then in motion , that I cannot but suspect that time has obscured much of his art , and that many ...
... scene . So many passages remain in which Shakespeare evidently takes his advantage of the facts then recent , and of the passions then in motion , that I cannot but suspect that time has obscured much of his art , and that many ...
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Alarums arms art thou Bard Bardolph Bast blood Boling Bolingbroke brother Cade Clif Clifford cousin crown Dauphin dead death dost doth Duch duke of York earl Edward England English Enter King Exeunt Exit eyes Falstaff farewell father Faulconbridge fear fight France French friends Gaunt give Gloster grace grief hand Harry hath head hear heart heaven honour house of York Jack Cade John of Gaunt JOHNSON King HENRY lady Lancaster liege live look lord majesty MALONE master ne'er never night noble Northumberland peace Percy Pist play Poins pray prince queen Reignier Rich Richard RICHARD PLANTAGENET Saint Albans Salisbury SCENE Shakespeare Shal shame sir John soldiers Somerset soul speak STEEVENS Suffolk sweet sword Talbot tell thee thine thou art thou hast thou shalt tongue traitor uncle unto Warwick wilt word