Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 62
... woman in an ambiguous po- sition in relation to an idealizing , courtly lover like Troi- lus . Can he really love her , or is the woman inevitably obliterated as she serves as the vehicle for his consumma- tion of his own desire ? Lacan ...
... woman in an ambiguous po- sition in relation to an idealizing , courtly lover like Troi- lus . Can he really love her , or is the woman inevitably obliterated as she serves as the vehicle for his consumma- tion of his own desire ? Lacan ...
Seite 316
... woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a woman and also imagine nature as a book . It is consistent too with the world of a play ...
... woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a woman and also imagine nature as a book . It is consistent too with the world of a play ...
Seite 378
... woman in that term " ( 1.1.24 , 37 ) 1 - Constable Dull enters with a letter from the " magnificent Armado , " ac- cusing Costard of a crime this so - called " shallow vassal " proceeds to explicate : COSTARD The matter is to me , sir ...
... woman in that term " ( 1.1.24 , 37 ) 1 - Constable Dull enters with a letter from the " magnificent Armado , " ac- cusing Costard of a crime this so - called " shallow vassal " proceeds to explicate : COSTARD The matter is to me , sir ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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