Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 142
... turn- ing to crime , of disappointed dreams of glory ? 37 Related to this is Eric LaGuardia's subtle argument that , although the tetralogy traces the decline of symbolic order as lan- guage turns from poetry to policy , " we are not ...
... turn- ing to crime , of disappointed dreams of glory ? 37 Related to this is Eric LaGuardia's subtle argument that , although the tetralogy traces the decline of symbolic order as lan- guage turns from poetry to policy , " we are not ...
Seite 372
... turn , as G. R. Elliot notes , speaks well of his own strength of character which we see , as we do in Richard III , on the battlefield : ' he does not utter a single word in repudiation of that ver- dict . So our sense of uplift at the ...
... turn , as G. R. Elliot notes , speaks well of his own strength of character which we see , as we do in Richard III , on the battlefield : ' he does not utter a single word in repudiation of that ver- dict . So our sense of uplift at the ...
Seite 386
... turn into " mother " ( 4.3.52 ) . Preposterous reversal of before and after , antecedent and what follows from it , is concentrated in the " Mousetrap , a likeness or mimesis of an event in the past that also , with the shift in the ...
... turn into " mother " ( 4.3.52 ) . Preposterous reversal of before and after , antecedent and what follows from it , is concentrated in the " Mousetrap , a likeness or mimesis of an event in the past that also , with the shift in the ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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