Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 23
... thou envious wall ( they sayd , ) why letst thou lovers thus ? What matter were it if that thou permitted both of us In armes eche other to embrace ? Or if thou thinke that this Were overmuch , yet mightest thou at least make roume to ...
... thou envious wall ( they sayd , ) why letst thou lovers thus ? What matter were it if that thou permitted both of us In armes eche other to embrace ? Or if thou thinke that this Were overmuch , yet mightest thou at least make roume to ...
Seite 292
... thou mischief in thy pilgrimage , Unless thou couldst return to make amends ? And she urges Time to punish Tarquin : ( 960-1 ) Thou ceaseless lackey to eternity , With some mischance cross Tarquin in his light . Devise extremes beyond ...
... thou mischief in thy pilgrimage , Unless thou couldst return to make amends ? And she urges Time to punish Tarquin : ( 960-1 ) Thou ceaseless lackey to eternity , With some mischance cross Tarquin in his light . Devise extremes beyond ...
Seite 369
... thou wast not bound to answer An unknown opposite : thou art not van- quish'd , But cozend and beguild . ( V.iii . 149-54 ) F is the version accepted by modern editors of the conflat- ed text . Goneril's use of the past tense , ' thou ...
... thou wast not bound to answer An unknown opposite : thou art not van- quish'd , But cozend and beguild . ( V.iii . 149-54 ) F is the version accepted by modern editors of the conflat- ed text . Goneril's use of the past tense , ' thou ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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