Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 25
... stage . For he and his play- ers , especially Bottom himself , are strong on the here - and- now of matter , on what is present in presentations of reali- ty . To portray the sad doings of the Babylonian lovers , they would bring ...
... stage . For he and his play- ers , especially Bottom himself , are strong on the here - and- now of matter , on what is present in presentations of reali- ty . To portray the sad doings of the Babylonian lovers , they would bring ...
Seite 54
... stage quotations of tragedies well known to audiences in the early 1590s - quotations designed to create a ludicrous effect of mock heroic in their new and incongruous setting . In the Induction to A Shrew , for example , when the ...
... stage quotations of tragedies well known to audiences in the early 1590s - quotations designed to create a ludicrous effect of mock heroic in their new and incongruous setting . In the Induction to A Shrew , for example , when the ...
Seite 371
... stage business is more difficult on the Elizabethan stage , where ' masking ' the simulated blow from the entire audience is virtually impossible . In the age of the great actor - managers , it was popular for Edgar to disarm Oswald and ...
... stage business is more difficult on the Elizabethan stage , where ' masking ' the simulated blow from the entire audience is virtually impossible . In the age of the great actor - managers , it was popular for Edgar to disarm Oswald and ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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