Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... sion , to imprison , 1607 , B3 - B3 ' ] . 21 The phrase is a paraphrase of a legal maxim cited by the common lawyer Edmund Plowden : ' Where the right is equal the claim of the party in possession shall prevail ' [ William Lowes Rushton ...
... sion , to imprison , 1607 , B3 - B3 ' ] . 21 The phrase is a paraphrase of a legal maxim cited by the common lawyer Edmund Plowden : ' Where the right is equal the claim of the party in possession shall prevail ' [ William Lowes Rushton ...
Seite 278
... sion ' . ) It would be consistent with the play's constantly- recurring pattern of hope followed by disappointment to find this conflict present even in Lear's two last lines ; and my recommendation to the actor at this point would be ...
... sion ' . ) It would be consistent with the play's constantly- recurring pattern of hope followed by disappointment to find this conflict present even in Lear's two last lines ; and my recommendation to the actor at this point would be ...
Seite 306
... sion , Baton Rouge : Louisiana State University Press , 1972 , p . 139 ] , rather than merely surprise . Apart from the opening of The Tempest , the most notable examples form parts of conclusions : the Abbess Aemilia's revelation , Fal ...
... sion , Baton Rouge : Louisiana State University Press , 1972 , p . 139 ] , rather than merely surprise . Apart from the opening of The Tempest , the most notable examples form parts of conclusions : the Abbess Aemilia's revelation , Fal ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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