Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 316
... seems to promise fertility too . Pericles likens her to the season of the year heralding fruitfulness : ' See where she comes , apparelled like the spring ' ( line 12 ) . Her beauty is such that it leads to the formulation of a second ...
... seems to promise fertility too . Pericles likens her to the season of the year heralding fruitfulness : ' See where she comes , apparelled like the spring ' ( line 12 ) . Her beauty is such that it leads to the formulation of a second ...
Seite 321
... seems especially likely when Gower reads aloud the inscription on Marina's monument . ) That book would , along with ... seem , they manifest coherence when viewed col- lectively in the written words of a book . To stand back from the ...
... seems especially likely when Gower reads aloud the inscription on Marina's monument . ) That book would , along with ... seem , they manifest coherence when viewed col- lectively in the written words of a book . To stand back from the ...
Seite 322
... seems excessive . Ostensibly they present little more than the reading of a letter , which hardly merits the at- tention of this special dramatic form . For example , Simoni- des enters reading a letter in II.iv , the content of which ...
... seems excessive . Ostensibly they present little more than the reading of a letter , which hardly merits the at- tention of this special dramatic form . For example , Simoni- des enters reading a letter in II.iv , the content of which ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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