Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 120
... rhetoric , a rhetoric that , during the 1590s , also undergirded England's warfare against Spain ; anti - catholic rhetoric was one medium for furthering ' the notion of an explicitly Protestant foreign policy based on a Europe - wide ...
... rhetoric , a rhetoric that , during the 1590s , also undergirded England's warfare against Spain ; anti - catholic rhetoric was one medium for furthering ' the notion of an explicitly Protestant foreign policy based on a Europe - wide ...
Seite 184
... rhetoric of identification.21 Negative politeness is basically a rhetoric of dissociation . Let us return to the advice Norfolk offers Buckingham , to see which specific reparative strategies fit those patterns . It may be useful to ...
... rhetoric of identification.21 Negative politeness is basically a rhetoric of dissociation . Let us return to the advice Norfolk offers Buckingham , to see which specific reparative strategies fit those patterns . It may be useful to ...
Seite 385
... rhetoric of " what follows " in Henry's " most memorable line " ( as Exeter puts it in 2.4.88 ) — iterated in the resonant " Follow , follow ! " of the Chorus to Act 3 and parodically echoed in Bardolph's “ On , on , on , on , on ...
... rhetoric of " what follows " in Henry's " most memorable line " ( as Exeter puts it in 2.4.88 ) — iterated in the resonant " Follow , follow ! " of the Chorus to Act 3 and parodically echoed in Bardolph's “ On , on , on , on , on ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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