Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 125
... represents the king making a judgment , which , in following the law of the land , protects a person's ' patrimony ' . It is also a scene that , by featuring the cause of a bastard , represents the king applying the law of the land ...
... represents the king making a judgment , which , in following the law of the land , protects a person's ' patrimony ' . It is also a scene that , by featuring the cause of a bastard , represents the king applying the law of the land ...
Seite 297
... represents through them , the reader must take particular care in interpreting that view . Shakespeare uses five consecutive female rhymes through present parti- ciples to represent a kind of onomatopoetic wavering of the will , until ...
... represents through them , the reader must take particular care in interpreting that view . Shakespeare uses five consecutive female rhymes through present parti- ciples to represent a kind of onomatopoetic wavering of the will , until ...
Seite 299
... represents the painter's , and by extension the poet's , strife in compet- ing with nature ( 1373-79 ) . The painter creates " A thou- sand lamentable objects , " the blood reeking to show his conflict . Here , Shakespeare's narrator ...
... represents the painter's , and by extension the poet's , strife in compet- ing with nature ( 1373-79 ) . The painter creates " A thou- sand lamentable objects , " the blood reeking to show his conflict . Here , Shakespeare's narrator ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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