Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 264
... nature cannot choose his origin , " " Natures liuery , " " Fortunes starre . " But this , of course , raises all the more strongly the ques- tion of personal responsibility . It's a stress that calls atten- tion to the classic tragic ...
... nature cannot choose his origin , " " Natures liuery , " " Fortunes starre . " But this , of course , raises all the more strongly the ques- tion of personal responsibility . It's a stress that calls atten- tion to the classic tragic ...
Seite 272
... nature ' and ' natural ' , together with the contrast ( discussed at length by Danby in Shake- speare's Doctrine of Nature , 1949 ) between the two main meanings which run through the play and are in evidence particularly in the ...
... nature ' and ' natural ' , together with the contrast ( discussed at length by Danby in Shake- speare's Doctrine of Nature , 1949 ) between the two main meanings which run through the play and are in evidence particularly in the ...
Seite 316
... nature , Pericles calls her face ' the book of praises ' ( line 15 ) . That the same woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a ...
... nature , Pericles calls her face ' the book of praises ' ( line 15 ) . That the same woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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