Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 296
... narrator calls Lucrece by this name ) and wants it to sing its story of ravishment while she tells her parallel tale of rape ( 1079-92 , 1121-48 ) . The story becomes mythologized and generalized , increasing its narrative scope while ...
... narrator calls Lucrece by this name ) and wants it to sing its story of ravishment while she tells her parallel tale of rape ( 1079-92 , 1121-48 ) . The story becomes mythologized and generalized , increasing its narrative scope while ...
Seite 297
... narrator calls attention to the power and limits of language : " Beauty itself doth of itself persuade / The eyes of men without an orator " ( 29-30 ) . Nonetheless , the narrator speaks of beauty as Col- latine does : indeed it is one ...
... narrator calls attention to the power and limits of language : " Beauty itself doth of itself persuade / The eyes of men without an orator " ( 29-30 ) . Nonetheless , the narrator speaks of beauty as Col- latine does : indeed it is one ...
Seite 299
... narrator describes as being obedient and as talking in deeds , but she also misinterprets him by ap- pearances and reads in him her own despair or rage . From hyperbole , the narrator turns to understatement and silence as sufficient ...
... narrator describes as being obedient and as talking in deeds , but she also misinterprets him by ap- pearances and reads in him her own despair or rage . From hyperbole , the narrator turns to understatement and silence as sufficient ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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