Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 104
... discourse he inhabits cannot provide . When such ambiguities are produced within colonialist discourse , how can it be stable ? How , for instance , is St. Lawrence's speech " vndecent " except in its display , before the " re- gard ...
... discourse he inhabits cannot provide . When such ambiguities are produced within colonialist discourse , how can it be stable ? How , for instance , is St. Lawrence's speech " vndecent " except in its display , before the " re- gard ...
Seite 106
... discourse , and a troubled , often self - cancelling discourse , then I do not think we can be so certain that we know who is speaking or what loyalties his talk may have implied . " Who . speaks when I do ? " Jonathan Goldberg has ...
... discourse , and a troubled , often self - cancelling discourse , then I do not think we can be so certain that we know who is speaking or what loyalties his talk may have implied . " Who . speaks when I do ? " Jonathan Goldberg has ...
Seite 111
... discourse Henry speaks recognizes itself in what it denies . It too of course is writ- ing . It " is a system of marks " ; it " writes , inscribes , pre- scribes " 78 - these , Derrida has argued , are the signifying acts of colonialist ...
... discourse Henry speaks recognizes itself in what it denies . It too of course is writ- ing . It " is a system of marks " ; it " writes , inscribes , pre- scribes " 78 - these , Derrida has argued , are the signifying acts of colonialist ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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