Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 82
Seite 93
... characters - Ford and Falstaff - are impelled by jealousy or greed masquerading as sexuality , while the heroes ... characters , while the language of satiric humors comedy serves mainly to express a humor character's imaginative ...
... characters - Ford and Falstaff - are impelled by jealousy or greed masquerading as sexuality , while the heroes ... characters , while the language of satiric humors comedy serves mainly to express a humor character's imaginative ...
Seite 118
... character of Falstaff - derived not only from that play's Oldcastle , but also from several other characters ( a point about origins that also disturbs the notion of the propriety and proper naming of characters ) has often been ...
... character of Falstaff - derived not only from that play's Oldcastle , but also from several other characters ( a point about origins that also disturbs the notion of the propriety and proper naming of characters ) has often been ...
Seite 296
... characters are doomed to separate worlds based on differences of gender , race , politics , and religion , whether they are joined through universals , or whether they can find some common experiences despite their dif- ferences ...
... characters are doomed to separate worlds based on differences of gender , race , politics , and religion , whether they are joined through universals , or whether they can find some common experiences despite their dif- ferences ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
26 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York