Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... Roman rule - book is once again abandoned : I will to Egypt ; And though I make this marriage for my peace , I ' th ' East my pleasure lies . II.iii . 39-41 The imperial magnificence of Antony depends largely on his heroic warriorship ...
... Roman rule - book is once again abandoned : I will to Egypt ; And though I make this marriage for my peace , I ' th ' East my pleasure lies . II.iii . 39-41 The imperial magnificence of Antony depends largely on his heroic warriorship ...
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... Roman Plays ( Cambridge , Mass . , 1961 ) , p . 130. For com- mentary on this passage see also Janet Adelman , The Com- mon Liar : an Essay on Antony and Cleopatra ( New Haven and London , 1973 ) , p . 91 . 6 • Quotations are from John ...
... Roman Plays ( Cambridge , Mass . , 1961 ) , p . 130. For com- mentary on this passage see also Janet Adelman , The Com- mon Liar : an Essay on Antony and Cleopatra ( New Haven and London , 1973 ) , p . 91 . 6 • Quotations are from John ...
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... Roman citizenship . Thus , Sir John Eliot wrote in 1629 that the English doc- trine of limited kingship derived from the dictum of Cic- ero that ' nothing should be taken of the goods or person of a subject without judgement of the ...
... Roman citizenship . Thus , Sir John Eliot wrote in 1629 that the English doc- trine of limited kingship derived from the dictum of Cic- ero that ' nothing should be taken of the goods or person of a subject without judgement of the ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York