Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1993 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 268
... Hamlet as a moral agent . Werstine is right that the commonly accepted texts of Hamlet and their accounts of its hero present mysteries and that some of these mysteries arise from the conflation of incompatible texts . Paradoxically the ...
... Hamlet as a moral agent . Werstine is right that the commonly accepted texts of Hamlet and their accounts of its hero present mysteries and that some of these mysteries arise from the conflation of incompatible texts . Paradoxically the ...
Seite 341
... Hamlet as originary cul- tural history ; and as in Hamlet , broken marriage leads to the domain of the weakened or dead father and the sexual- ized mother . In Hamlet , the death of the reverend father , " old grandsire Priam " ( Hamlet ...
... Hamlet as originary cul- tural history ; and as in Hamlet , broken marriage leads to the domain of the weakened or dead father and the sexual- ized mother . In Hamlet , the death of the reverend father , " old grandsire Priam " ( Hamlet ...
Seite 385
... Hamlet Shakespearean exploitation of the sequitur or " it follows that " from as early as Two Gentlemen of Verona and Love's Labor's Lost and the rhetorical construction of " fair sequence and succession " in the histories lead us ...
... Hamlet Shakespearean exploitation of the sequitur or " it follows that " from as early as Two Gentlemen of Verona and Love's Labor's Lost and the rhetorical construction of " fair sequence and succession " in the histories lead us ...
Inhalt
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Urheberrecht | |
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