The work is handsomely printed (for Benjamin Motte), and contains numerous plates of figures and an index. It anticipated a similar project on the part of Dr. Henry Pemberton (q. v.], who was better qualified for the work; it is nevertheless a highly creditable production (cf. BREWSTER, Sir Isaac Newton, ii. 383). Andrew Motte died in 1730. It is uncertain whether it is the bookseller or his brother who is alluded to by Dunton as 'learned Motte' (Life and Errors). [Nichols's Literary Anecdotes, i. 63, 213, 482, 506, ii. 11, 25, vi. 99, viii. 369; Notes and Queries, 1. xii. 60, 198, 358, 490; Gent. Mag. 1855 i. 150, 258, ii. 35, 232, 363; Elwin's Pope, vi. 437, vii. 86, 110, 178, 286, 324, ix. 524; Brit. Mus. Cat.] T. S. MOTTERSHEAD, JOSEPH (16881771), dissenting minister, son of Joseph Mottershead, yeoman, was born near Stockport, Cheshire, on 17 Aug. 1688. He was educated at Attercliffe Academy under Timothy Jollie [q. v.], and afterwards studied for a year under Matthew Henry q. v.] at Chester. After license he preached (1710-12) at Kingsley, in the parish of Frodsham, Cheshire. On 5 Aug. 1712 he was ordained at Knutsford as successor to Samuel Lawrence [q. v.] at Nantwich. Matthew Henry visited him in 1713, and died at his house in 1714. In 1717 Mottershead became minister of Cross Street Chapel, Manchester, and held this post till his death. His colleagues were Joshua Jones [see under JONES, JEREMIAH], John Seddon (17191769) [q. v.], and Robert Gore (1748-1779). When the Young Pretender entered Manchester in November 1745, Mottershead was selected as hostage for a pecuniary fine, but he had timely warning and made his escape. During his protracted ministry at Manchester, Mottershead, whom Halley calls a very quiet peaceable man,' passed from Calvinism to a type of Arianism. About 1756 there was a secession from the congregation owing to the Socinian tenets of Seddon, his colleague and son-in-law. Mottershead died on 4 Nov. 1771, and was buried near the pulpit in his meeting-house. His portrait, by Pickering, was engraved by William Pether [q. v.] He married, first, at Kingsley, the eldest daughter of Bennett of Hapsford, Cheshire: she died in October 1718, leaving four children; his only son was educated at Edinburgh as a physician, but took Anglican orders, acted as curate in Manchester, and was lost at sea as chaplain of a man-of-war; his eldest daughter married (February 1743) Seddon, his colleague; his second daughter, Sarah, married John Jones, founder of the banking house of Jones, Loyd, & Co., whose grandson was Samuel Jones Loyd, first baron Overstone [q. v.] He married, secondly, in January 1721, Margaret (d. 31 Jan. 1740), widow of Nathaniel Gaskell of Manchester; he was her third husband. He married, thirdly, in June 1742, Abigail (d. 28 Dec. 1753), daughter of Chewning Blackmore [see under BLACKMORE, WILLIAM]. Mottershead published, besides two sermons (1719-1745), Religious Discourses,' &c., Glasgow, 1759, 8vo. Under the signature 'Theophilus' he contributed essays to Priestley's Theological Repository,' 1769, i. 173 sq., 225 sq., and 1771, iii. 112 sq. He also published a revised edition of Matthew Henry's 'Plain Catechism' (no date). [Biographical notice in Toulmin's Memoirs of S. Bourn, 1808, pp. 251 sq.; Urwick's Nonconformity in Cheshire, 1864, pp. 129 sq.; Halley's Lancashire, 1869, ii. 364, 447; Wade's Rise of Nonconformity in Manchester, 1880, pp. 34 sq.; Turner's Nonconformist Register of Heywood and Dickenson, 1881, pp. 215, 231, 232, 276; Baker's Mem. of a Dissenting Chapel, 1884, pp. 27 sq., 141 sq.; Nightingale's Lancashire Nonconformity (1893), v. 97 sq.] A. G. MOTTEUX, PETER ANTHONY (1660– 1718), translator and dramatist, was born 18 Feb. 1660 at Rouen, Normandy, being probably the son of Antoine le Motteux, a merchant of that town. He came to England at the revocation of the edict of Nantes in 1685, living at first with his godfather and relative, Paul Dominique. Afterwards he went into business, and had an East India warehouse in Leadenhall Street. In 1692 and 1693 he edited the 'Gentleman's Journal, or the Monthly Miscellany,' which contained verses by Prior, Sedley, Mrs. Behn, Oldmixon, Dennis, D'Urfey, Brown, and the editor. The first volume was dedicated to William, earl of Devonshire; the second to Charles Montague. In 1693, when Gildon satirised Dunton in the History of the Athenian Society,' Motteux, Tate, and others wrote prefatory verses for the skit. In the same year appeared Boileau's 'Ode sur la Prise de Namur. Avec une Parodie de la mesme Ode par le Sieur P. Motteux.' In 1693-4 a translation of Rabelais (books i. to iii.) by Motteux, Sir Thomas Urquhart, and others was published in three volumes, with a long introduction by Motteux. The remainder of the work (books iv. and v.) appeared in 1708. This excellent translation has been frequently reprinted down to the present day, and shows how thoroughly Motteux had mastered the English language. In 1695 he published Maria, a Poem occasioned by the Death of Her Majesty,' addressed to Montague, Normanby, and Dorset ; and translated St. Olon's 'Present State of Motteux's first play, 'Love's a Jest,' a comedy from the Italian, was produced in 1696, with a dedication to Lord Clifford of Lanesborough. It was followed in 1697 by "The Novelty. Every Act a Play. Being a short Pastoral, Comedy, Masque, Tragedy, and Farce, after the Italian manner,' by Motteux and others, with a dedication to Charles Cæsar; and by The Loves of Mars and Venus,' a masque (dedicated to Colonel Codrington), which was acted and printed in connection with the 'Anatomist,' by Motteux's friend Ravenscroft. In June 1698 Motteux produced a tragedy, 'Beauty in Distress,' to which were prefixed a Discourse of the Lawfulness and Unlawfulness of Plays, lately written in French by Father Caffaro,' and complimentary lines by Dryden, to my friend Mr. Motteux,' with reference to Collier's recent attack on the stage. The fault of the play, as Dryden hinted, is that the plot is too complicated. In the dedication to the Hon. Henry Heveningham, Motteux says that it had been the happy occasion of recommending him to the bounty of the Princess Anne, her gift alone outweighing the benefit of a sixth representation; but he adds that his uninterrupted success had created enemies. It was alleged by a satirist that Heveningham himself wrote this dedication, offering to pay Motteux five guineas for the use of his name (Poems on Affairs of State, 1703, ii. 248-54; Egerton MS. 2623, f. 68). In 1699 Motteux turned Fletcher's 'Island Princess' into an opera, wrote words for an interlude, 'The Four Lessons, or Love in every Age,' and contributed an epilogue to Henry Smith's 'Princess of Parma.' A song by Motteux, given at a post-office feast on the queen's birthday, is printed in Oldmixon's Muses Mercury' for January 1708. There are other verses by Motteux in the same paper for March 1707. 6 the Empire of Morocco,' with a dedication to Sir William Trumball, in which he said he endeavoured to appear as much an Englishman as he could, even in his writings. In the same year Motteux published on a single sheet Words for a Musical En-Acis and Galatea,' a masque, was protertainment [by John Eccles] at the New duced in 1701, and Britain's Happiness,' a Theatre in Little Lincoln's Inn Fields, on musical interlude, in 1704. On 16 Jan. the Taking of Namur, and His Majesty's safe 1705 Arsinoe, Queen of Cyprus, an Opera Return.' after the Italian manner,' was brought out at Drury Lane Theatre, and was acted fifteen times. It was printed in 1707 (see ADDISON, Spectator, 21 March 1711). The Amorous Miser,' a farcical comedy, appeared at the same theatre on 18 Jan. 1705, and was acted about six times. Motteux wrote an epilogue for Vanbrugh's 'Mistake,' first acted on 27 Dec. 1705; and on 7 March 1706 the 'Temple of Love, a Pastoral Opera, Englished from the Italian,' was performed at the Haymarket with but little successIn the following year (1 April 1707) Thomyris, Queen of Scythia, an Opera,' was produced under Dr. Pepusch's direction, and it was followed by 'Farewell Folly, or the Younger the Wiser, a Comedy. With a Musical Interlude called "The Mountebank, or the Humours of the Fair."" 'Love's Triumph,' an opera, 1708, was dedicated to Thomas Falkland, son of the postmastergeneral; the words had been written, Motteux said, 'very near you, at a place where my duty often calls me from other business; . they were in a manner done in Post-haste." Early in 1712, or at the close of 1711, Motteux published a good though free translation of Cervantes's 'Don Quixote,' in four volumes. He was assisted by Özell and others, but revised the whole himself. This work has been frequently reprinted. In the Spectator' for 30 Jan. 1712 (No. 288) appeared a letter from Motteux, who spoke of himself as an author turned dealer,' and described the large variety of goods which ladies would find at his warehouse in Leadenhall Street, many of them bought by himself abroad. In July 1712 he published, in folio and duodecimo, A Poem in Praise of Tea,' with a dedication to the 'Spectator,' in which he again referred to the way he was engrossed in his 'China and India trade, and all the distracting variety of a Doyly.' In December Steele drew an attractive picture of his friend's spacious warehouses, filled and adorned with tea, China and Indian wares' (Spectator, No. 552). From a letter of 1714 to Sir Hans Sloane, in the British Museum, it appears that Motteux dealt also in pictures (Sloane MS. 4054, f. 12). From a letter of 28 April 1700 from Dubois, afterwards cardinal, to Monsieur Pierre Motteux à la grande Poste, à Londres' (Hist. MSS. Comm. 9th Rep. pt. ii. p. 464), it would appear that Motteux had then already received what the old biographers call 'a very genteel place in the General Post Office relating to foreign letters, being master of several languages; but official records only show that by 1703 he had 407. as a clerk in the foreign office of the post-office, and that by 1711 the place had been given to another. 1 Motteux's death took place on his birthday, 18 Feb. 1718, in a house of ill-fame in Star Court, Butcher Row, near St. Clement's Church. He went to the house with a woman named Mary Roberts, after calling at White's chocolate-house, and soon after midnight an apothecary was called in, who found him dead. The woman Roberts said that Motteux had been ill in the coach, and never spoke after they reached the house. He was buried at St. Andrew Undershaft, 25 Feb., and an inquest was held. The keeper of the house, her daughter, and others were committed to Newgate, and a reward of ten guineas was offered by Mrs. Motteux, of the Two Fans,' Leadenhall Street, to the coachman who drove Motteux to Star Court if he would state in what condition the gentleman was in when he set him down. The coachman was found, and on 22 March a pardon was offered to any one, not the actual murderer, who had been concerned in the matter, and 50%. reward to any one discovering the murderer. The persons in custody were tried at the Old Bailey on 23 April. The defence was that Motteux had had a fit, and the prisoners were all acquitted, 'to the great surprise of most people' (there is a long report in BoYER'S Political State, 1718, pp. 254, 425-36; see, too, Applebee's Original Weekly Journal, 26 April to 3 May 1718; Daily Courant, March and April 1718; and Mist's Journal, 26 April 1718, where it is said that the jury brought in a special verdict against the women, which was to be decided by the twelve judges). Motteux had sons baptised at St. Andrew Undershaft on 3 Oct. 1705 and 13 April 1710. By his will, dated 23 Feb. 1709, and proved 24 Feb. 1717-18 by his wife Priscilla, sole executrix, Motteux (grocer and freeman, of London) left his property to be divided equally among his wife and children, Peter, Henrietta, and Anthony, and others who might afterwards be born; 107. were left to the poor of St. Andrew Undershaft. The son Peter, a surgeon, of Charterhouse Square, married Miss West in 1750, and died a widower in November 1769, leaving a daughter, Ann Bosquain; the other son, John Anthony, died in December 1741, a very eminent Hamburg merchant, leaving a widow, Ann. Motteux had a brother Timothy, merchant and salter, who was naturalised in March 1676-7 (Hist. MSS. Comm. 9th Rep. pt. ii. p. 87), and died in 1746, leaving money to his nephews and to the Walloon and Dutch churches. He was a director of the French Hospital in London (London Mag.; Gent. Mag. 1741, 1746, 1750, 1769; wills at Prerogative Court of Canterbury). According to Pope Motteux was loqua cious; 'Talkers I've learned to bear; Motteux I knew' (Satires of Dr. Donne, iv. 50); Motteux himself unfinished left his tale (Dunciad, ii. 412); and in the 'Art of Sinking in Poetry,' chap. vi., he speaks of Motteux and others as 'obscure authors, that wrap themselves up in their own mud, but are mighty nimble and pert.' Motteux's claims to be remembered now rest upon his racy versions of Rabelais and Cer vantes. [Van Laun's Short Hist. of the late Mr. Peter Anthony Motteux, prefixed to his edition of Don Quixote, 1880, and privately printed in pamphlet form; Genest's Account of the English Stage, ii. 86, 116-18, 153, 164, 318-19, 350, 484; Biog. Dram.; Whincop's List of English Dramatic Poets, 1747; Weiss's Protestant Refugees; Nichols's Lit. Anecd. iii. 308, ix. 773. The Hist. of Kent, by Dr. John Harris, 1719, has prefixed to it an Ode in Praise of Kent, by Motteux, e Normania Britannus.' The full score, with libretto, of the Island Princess is in the Brit. Mus. Addit. MS. 15318.] G. A. A. MOTTLEY, JOHN (1692-1750), dramatist and biographer, was the son of Colonel Thomas Mottley, an adherent of James II in his exile, who entered the service of Louis XIV, and was killed at the battle of Turin in 1706; his mother was Dionisia, daughter of John Guise of Ablode Court, Gloucestershire. John was born in London in 1692, was educated at Archbishop Tenison's grammar school in the parish of St. Martin'sin-the-Fields, and obtained a clerkship in the excise office in 1708. Owing to an unhappy contract' he was compelled to resign his post in 1720, and thenceforth gained a precarious subsistence by his pen. He made his début as a dramatic author with a frigid tragedy in the pseudo-classic style, entitled 'The Imperial Captives,' the scene of which is laid at Carthage, in the time of Genseric, who with the Empress Eudoxia and her daughter plays a principal part. The play was produced at the Theatre Royal, Lincoln's Inn Fields, in February 1719-20. At the same theatre was produced in April 1721 Mottley's only other effort in tragedy, Antiochus,' an extremely dull play, founded on the story of the surrender by Seleucus Nicator of his wife Stratonice to his son Antiochus. Both tragedies were printed on their production. In comedy Mottley was more successful. His dramatic opera, Penelope,' in which he was assisted by Thomas Cooke (1703-1756) [q. v.], a satire on Pope's 'Odyssey,' and his farce The Craftsman, or Weekly Journalist' (both performed at the Haymarket, and printed in 1728 and 1729 respectively), are not without humour. His comedy, 'The Widow Bewitched,' 6 produced at Goodman's Fields Theatre in 1730, and printed, was a successful play. Mottley was joint author with Charles Coffey [q. v.] of the comic opera, The Devil to pay, or the Wives Metamorphosed,' produced at Drury Lane on 6 Aug. 1731, and frequently revived. Under the pseudonym of Robert Seymour he edited in 1734 (perhaps with the assistance of Thomas Cooke) Stow's 'Survey of the Cities of London and West-Jerusalem in her Grandeur' and 'Jeruminster' (London, 2 vols. fol.) Under the pseudonym of Elijah Jenkins he published in 1739 the classic jest-book, 'Joe Miller's Jests, or the Wit's Vade Mecum' [see MILLER, JOSEPH or JOSIAS]. The Ashdown Coursing Meeting,' after Stephen Pearce. His plates in the mixed style were the most numerous, and included 'The Scape Goat,' after William Holman Hunt; The Highland Shepherd's Home' and 'The Stag at Bay' (the smallest plate), after Sir Edwin Landseer; "The Last Judgment,' 'The Plains of Heaven,' and 'The Great Day of Wrath,' after John Martin; salem in her Fall,' after Henry C. Selous; The Straits of Ballachulish' and 'A Scottish Raid,' after Rosa Bonheur; 'The Two Farewells,' after George H. Boughton; Corn Thrashing in Hungary,' after Otto von Mottley is also the author of two historical Thoren; Crossing a Highland Loch,' after works: The History of the Life of Peter I, Jacob Thomson; Abandoned' and 'In DanEmperor of Russia, London, 1739, 2 vols. ger,' a pair after Adolf Schreyer; 'A Charm8vo, and 'The History of the Life and Reigning Incident,' after Charles W. Nicholls, of the Empress Catharine, containing a short History of the Russian Empire from its first Foundation to the Time of the Death of that Princess,' London, 1744, 2 vols. 8vo. He is the reputed author of the 'Compleat List of all the English Dramatic Poets and of all the Plays ever printed in the English Language to the Present Year 1747,' appended to Whincop's Scanderbeg,' in which it is clear from internal evidence that he wrote the article on himself. He died in 1750, having for some years previously been almost bedridden with the gout. A portrait is mentioned by Bromley. [Transactions of the Bristol and Gloucestershire Archæological Soc. 1878-9, iii. 73; Whincop's Scanderbeg, 1747, p. 264 (with engraved portrait); Baker's Biog. Dramat. 1812; Genest's Hist. of the Stage, iii. 40, 61, 228, 277; Chamberlayne's Mag. Brit. Not. 1716 p. 514, 1718 p. 70; Notes and Queries, 2nd ser. xi. 102, 8th ser. iv. 9; Upcott's English Topogr. p. 620; Gent. Mag. 1820 pt. ii. p. 327, 1821 pt. i. p. 124.] J. M. R. MOTTRAM, CHARLES (1807-1876), engraver, born on 9 April 1807, worked in line, in mezzotint, and in the mixed style. His principal plates in the line manner were "The Rescue," Uncle Tom and his Wife for Sale,' and 'The Challenge,' after Sir Edwin Landseer, R.A.; Boufs Bretons,' after Rosa Bonheur; and Duck Hunting,' after Friedrich Wilhelm Keyl. Among his mezzotint plates were 'The Morning before the Battle' and 'The Evening after the Battle,' after Thomas Jones Barker; 'Les Longs Rochers de Fontainebleau,' after Rosa Bonheur; Pilgrim Exiles' and 'The Belated Traveller,' after George Henry Boughton, A.R.A.; The Shadow of the Cross,' after Philip Richard Morris, A.R.A.; Pride and Humility,' after George Cole; and R.H.A.; and Out all Night,' after J. H. Mottram's works were exhibited occasionally at the Royal Academy between 1861 and 1877. He died at 92 High Street, Camden Town, London, on 30 Aug. 1876. [Royal Academy Exhibition Catalogues, 1861– 1877; private information.] R. E. G. (1553-1604), MOUFET, THOMAS physician. [See MOFFETT.] MOULE, HENRY (1801-1880), divine and inventor, sixth son of George Moule, solicitor and banker, was born at Melksham, Wiltshire, 27 Jan. 1801, and educated at Marlborough grammar school. He was elected a foundation scholar of St. John's College, Cambridge, and graduated B.A. 1821 and M.A. 1826. He was ordained to the curacy of Melksham in 1823, and took sole charge of Gillingham, Dorset, in 1825. He was made vicar of Fordington in the same county in 1829, and remained there the remainder of his life. For some years he undertook the duty of chaplain to the troops in Dorchester barracks, for whose use, as well as for a detached district of his own parish, he built in 1846, partly from the proceeds of his published Barrack Sermons,' 1845 (2nd edit. 1847), a church known as Christ Church, West Fordington. In 1833 his protests brought to an end the evils connected with the race meetings at Dorchester. During the cholera visitations of 1849 and 1854 his exertions were unwearied. Impressed by the insalubrity of the houses, he turned his attention to sanitary science, and invented what is called the dry earth system. In partnership with James Bannehr, he took out a patent for the process (No. 1316, dated 28 May 1860). Among his works bearing on the subject were: 'The Advantages of the Dry Earth System,' 1868; 'The Impossibility overcome: or the Inoffensive, Safe, and Economical Disposal of the Refuse of Towns and Villages,' 1870; 'The Dry Earth System, 1871; Town Refuse, the Remedy for Local Taxation,' 1872, and 'National Health and Wealth promoted by the general adoption of the Dry Earth System,' 1873. His system has been adopted in private houses, in rural districts, in military camps, in many hospitals, and extensively in India. He also wrote an important work, entitled 'Eight Letters to Prince Albert, as President of the Council of the Duchy of Cornwall,' 1855, prompted by the condition of Fordington parish, belonging to the duchy. In two letters in the Times' of 24 Feb. and 2 April 1874 he advocated a plan for extracting gas from Kimmeridge shale. He died at Fordington vicarage, 3 Feb. 1880, having married in 1824 Mary Mullett Evans, who died 21 Aug. 1877. In addition to the works already mentioned, and many single sermons and pamphlets, Moule wrote: 1. 'Two Conversations between a Clergyman and one of his Parishioners on the Public Baptism of Infants,' 1843. 2. 'Scraps of Sacred Verse,' 1846. 3. Scriptural Church Teaching,' 1848. 4. 'Christian Oratory during the first Five Centuries,' 1859. 5. My Kitchen-Garden: by a Country Parson,' 1860. 6. Manure for the Million. A Letter to the Cottage Gardeners of England,' 1861; 11th thousand, 1870. 7.Selfsupporting Boarding Schools and Day Schools for the Children of the Industrial Classes,' 1862; 3rd edit. 1871. 8. 'Good out of Evil. A Series of Letters publicly addressed to Dr. Colenso,' 1863. 9. Pardon and Peace: illustrated by ministerial Memorials, to which are added some Pieces of Sacred Verse,' 1865. 10. Our Home Heathen, how can the Church of England get at them,' 1868. 11. "These from the Land of Sinim." The Narrative of the Conversion of a Chinese Physician [Dzing, Seen Sang ],' 1868. 12. 'Land for the Million to rent. Addressed to the Working Classes of England; by H. M., 1870. 13. On the Warming of Churches,' 1870. 14. 'The Science of Manure as the Food of Plants,' 1870. 15. 'The Potatoe Disease, its Cause and Remedy. Three Letters to the Times,' 1872. 16.Harvest Hymns,' 1877. [Crockford's Clerical Directory, 1878, p. 672; Men of the Time, 1879, p. 727; Times, 5 Feb. 1880, p. 8; Dorset County Chronicle, 5 Feb. 1880, p. 3; H. C. G. Moule's Sermons on the Death of H. Moule, M.A. 1880, Memoir, pp. 5-13; Chambers's Encycl. 1874, vol. x. Suppl. PP. 731-3; Patents for Inventions, Abridgements of Specifications relating to Closets, 1873, Introd. G. C. B. pp. x-xii, and 125-6.] MOULE, THOMAS (1784–1851), wiiter on heraldry and antiquities, born 14 Jan. 1784 in the parish of St. Marylebone, London, carried on business as a bookseller in Duke Street, Grosvenor Square, from about 1816 till about 1823, and he was subsequently a clerk in the General Post Office, where he was inspector of blind' letters, his principal duty being to decipher such addresses as were illegible to the ordinary clerks. He retired after forty-four years' service in consequence of failing health. He also held for many years the office of chamber-keeper in the lord chamberlain's department, and this gave him an official residence in the Stable Yard, St. James's Palace, where he died on 14 Jan. 1851, leaving a widow and an only daughter, who had materially assisted him in his literary pursuits. Moule was a member of the Numismatic Society, and contributed some papers to the Numismatic Chronicle.' His principal works are: 1. 'A Table of Dates for the use of Genealogists and Antiquaries' (anon.), 1820. 2. Bibliotheca Heraldica Magnæ Britanniæ. An Analytical Catalogue of Books in Genealogy, Heraldry, Nobility, Knighthood, and Ceremonies; with a List of Provincial Visitations . . . and other Manuscripts; and a Supplement enumerating the principal Foreign Genealogical Works,' Lond. 1822, 4to, with portrait of William Camden. In the British Museum there is a copy of this accurate and valuable work, interleaved with copious manuscript corrections and additions, and an additional volume of further corrections, &c., 3 vols. 4to. 3. 'Antiquities in Westminster Abbey, illustrated by twelve plates, from drawings by G. P. Harding,' Lond. 1825, 4to. 4. "An Essay on the Roman Villas of the Augustan Age, their architectural disposition and enrichments, and on the Remains of Roman Domestic Edifices discovered in Great Britain,' Lond. 1833, 8vo. 5. English Counties delineated; or a Topographical Description of England. Illustrated by a Map of London and a complete Series of County Maps,' 2 vols. Lond. 1837, 4to; new title 1839. Moule personally visited every county in England excepting Devon and Cornwall. 6. Heraldry of Fish, Notices of the principal families bearing Fish in their Arms,' Lond. 1842, 8vo, with beautiful woodcuts, from drawings made by his |