Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 50
... stage . Ophelia , for example , who merely enters " distracted " in the Folio stage direction ( at line 2766 ) , in the “ Bad " Quarto of 1603 comes on stage " playing on a Lute , and her haire downe singing . " Music , especially the ...
... stage . Ophelia , for example , who merely enters " distracted " in the Folio stage direction ( at line 2766 ) , in the “ Bad " Quarto of 1603 comes on stage " playing on a Lute , and her haire downe singing . " Music , especially the ...
Seite 56
... stage , the conventions of female insanity were sharply defined . Ophelia dresses in white , decks herself with " fantastical garlands " of wild flowers , and enters , according to the stage direc- tions of the " Bad " Quarto ...
... stage , the conventions of female insanity were sharply defined . Ophelia dresses in white , decks herself with " fantastical garlands " of wild flowers , and enters , according to the stage direc- tions of the " Bad " Quarto ...
Seite 373
... stage history offers interest- ing insights into attitudes toward Desdemona . Both the longer speech , beginning " Why , this is not a boon , " and the shorter one , on the subject of Cassio's tres- pass , tend to disappear , whole or ...
... stage history offers interest- ing insights into attitudes toward Desdemona . Both the longer speech , beginning " Why , this is not a boon , " and the shorter one , on the subject of Cassio's tres- pass , tend to disappear , whole or ...
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Häufige Begriffe und Wortgruppen
A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York