Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 99
... soliloquy as well . It is true that in that soliloquy his mind turns to thoughts of " self - slaughter , " but those thoughts notwithstanding , the emphasis of the speech is not one of self - reproach . It is not himself , but the uses ...
... soliloquy as well . It is true that in that soliloquy his mind turns to thoughts of " self - slaughter , " but those thoughts notwithstanding , the emphasis of the speech is not one of self - reproach . It is not himself , but the uses ...
Seite 123
... soliloquy , seems to apprehend an important fact about his grief : " It is not , nor it cannot come to good.- / But break my heart , for I must hold my tongue " ( I.ii.158-159 ) . The body of the soliloquy does outwardly direct some ...
... soliloquy , seems to apprehend an important fact about his grief : " It is not , nor it cannot come to good.- / But break my heart , for I must hold my tongue " ( I.ii.158-159 ) . The body of the soliloquy does outwardly direct some ...
Seite 255
... soliloquies and two asides ( a total of one hundred and eleven lines ) ; Othello has had not one such line . In this central scene Iago has one soliloquy ( nine lines ) and Othello delivers his first two soliloquies ( twenty - two lines ) ...
... soliloquies and two asides ( a total of one hundred and eleven lines ) ; Othello has had not one such line . In this central scene Iago has one soliloquy ( nine lines ) and Othello delivers his first two soliloquies ( twenty - two lines ) ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York