Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 117
... Revenge , p . 213 . 28 For discussions of Hamlet's playing avenger , see Prosser , Hamlet and Revenge , p . 192 ; Charney , Style in Hamlet , p . 318 ; Battenhouse , Shakespearean Trag- edy , pp . 255-56 ; Danson , Tragic Alphabet , pp ...
... Revenge , p . 213 . 28 For discussions of Hamlet's playing avenger , see Prosser , Hamlet and Revenge , p . 192 ; Charney , Style in Hamlet , p . 318 ; Battenhouse , Shakespearean Trag- edy , pp . 255-56 ; Danson , Tragic Alphabet , pp ...
Seite 169
... revenge with for- giveness ; vengeance itself should be left to God . " Ven- geance is mine , I will repay , saith the Lord . " Yet , as Freud has observed , " What no human soul desires there is no need to prohibit ; it is ...
... revenge with for- giveness ; vengeance itself should be left to God . " Ven- geance is mine , I will repay , saith the Lord . " Yet , as Freud has observed , " What no human soul desires there is no need to prohibit ; it is ...
Seite 170
... revenge play is usually moral as well as bloody : " While audiences may have delighted above all in the sensationalism and spectacle of horror , the heroes of such plays . . . tended to vitiate themselves by the very act of vengeance ...
... revenge play is usually moral as well as bloody : " While audiences may have delighted above all in the sensationalism and spectacle of horror , the heroes of such plays . . . tended to vitiate themselves by the very act of vengeance ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York