Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 72
... ( Matter 78 ) . For while the poem is not explicitly subversive , such lines as " He died for treason ; Yet no Traitor . Why ? " stand in sharp contradiction with the official exegeses of the earl's demise . ' 15 The ways in which that ...
... ( Matter 78 ) . For while the poem is not explicitly subversive , such lines as " He died for treason ; Yet no Traitor . Why ? " stand in sharp contradiction with the official exegeses of the earl's demise . ' 15 The ways in which that ...
Seite 85
... matter " with the hero , we shall be able to start with the simple and indeed the engaging assumption that nothing at all is the matter with him . Starting on this ground brings us the inestimable satisfaction of being able to believe ...
... matter " with the hero , we shall be able to start with the simple and indeed the engaging assumption that nothing at all is the matter with him . Starting on this ground brings us the inestimable satisfaction of being able to believe ...
Seite 93
... matter ; at the other extreme it is the question that accounts for Hamlet's delay . I think Hamlet believed the ghost when he first saw it but came to doubt it as he doubted everything when the tensions and contradictions in his ...
... matter ; at the other extreme it is the question that accounts for Hamlet's delay . I think Hamlet believed the ghost when he first saw it but came to doubt it as he doubted everything when the tensions and contradictions in his ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York