Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 85
... look from one great play to the next , the more difficult it becomes to sustain the notion that plot was not important to Shakespeare . If we take the proper perspective , however , we see that Shakespeare used old and famous stories ...
... look from one great play to the next , the more difficult it becomes to sustain the notion that plot was not important to Shakespeare . If we take the proper perspective , however , we see that Shakespeare used old and famous stories ...
Seite 96
... Look you , " he tells his mother , who characteristically cannot see the ghost , how pale he glares . His form and cause conjoin'd , preaching to stones , Would make them capable . - Do not look upon me Lest with this piteous action you ...
... Look you , " he tells his mother , who characteristically cannot see the ghost , how pale he glares . His form and cause conjoin'd , preaching to stones , Would make them capable . - Do not look upon me Lest with this piteous action you ...
Seite 185
... Look at him in this way , and you will find him not melancholy , not complex - ridden , not pessimistic , not even disillusioned . basically - but a healthy , vigorous man , much in love with life , who , given the slightest opportunity ...
... Look at him in this way , and you will find him not melancholy , not complex - ridden , not pessimistic , not even disillusioned . basically - but a healthy , vigorous man , much in love with life , who , given the slightest opportunity ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York