Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 10
... human and transcendent . " By theorizing and repre- senting madness , the Renaissance gradually and with difficulty began to try to separate human madness from the supernatural ( from demonic and divine possession , as does Edward ...
... human and transcendent . " By theorizing and repre- senting madness , the Renaissance gradually and with difficulty began to try to separate human madness from the supernatural ( from demonic and divine possession , as does Edward ...
Seite 32
... human nature and the struggles of human beings in the face of conflict and stress are vivid , and show a rare under- standing of mental mechanisms . It is interesting too to note that some of the beliefs which prevailed in Shakespeare's ...
... human nature and the struggles of human beings in the face of conflict and stress are vivid , and show a rare under- standing of mental mechanisms . It is interesting too to note that some of the beliefs which prevailed in Shakespeare's ...
Seite 352
... human vulnerability to Iago's de- structive powers ? The idea that all men share the respon- sibility for the acts of any individual human being is suggested when Desdemona paradoxically accuses her- self of her own murder : " Emilia ...
... human vulnerability to Iago's de- structive powers ? The idea that all men share the respon- sibility for the acts of any individual human being is suggested when Desdemona paradoxically accuses her- self of her own murder : " Emilia ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York