Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 283
... hero discovers himself in a situation that reacti- vates the bad maternal object , which is but another way of saying that the hero confronts within himself a constellation of repressed desires ; the introject is an expression of the ...
... hero discovers himself in a situation that reacti- vates the bad maternal object , which is but another way of saying that the hero confronts within himself a constellation of repressed desires ; the introject is an expression of the ...
Seite 284
... hero's projective re - creation of Desdemona into a version of the original parent . In Othello , we have not only an abundance of associative materials that clarify the manner in which Desdemona is fated to succeed to the mother's role ...
... hero's projective re - creation of Desdemona into a version of the original parent . In Othello , we have not only an abundance of associative materials that clarify the manner in which Desdemona is fated to succeed to the mother's role ...
Seite 286
... hero's interactions with Iago , Desdemona , Cassio , and with the other characters confirm the basic pattern of de- lusional jealousy with precisely the emphases Reid has given in his theoretical exposition . " What should be stressed ...
... hero's interactions with Iago , Desdemona , Cassio , and with the other characters confirm the basic pattern of de- lusional jealousy with precisely the emphases Reid has given in his theoretical exposition . " What should be stressed ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York