Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 84
... action of tremendous significance - and from the initial folly a flood , an ocean , a world , a cosmos of evil pours over him and crashes on to engulf the char- acters in an action that is , in one way or another , final for them all ...
... action of tremendous significance - and from the initial folly a flood , an ocean , a world , a cosmos of evil pours over him and crashes on to engulf the char- acters in an action that is , in one way or another , final for them all ...
Seite 85
... action of the play ; it is the action that makes the emerging man . The more we look from one great play to the next , the more difficult it becomes to sustain the notion that plot was not important to Shakespeare . If we take the ...
... action of the play ; it is the action that makes the emerging man . The more we look from one great play to the next , the more difficult it becomes to sustain the notion that plot was not important to Shakespeare . If we take the ...
Seite 94
... action - and almost his life . In the rest of Act IV and the first scenes of Act V , we have a typical Shakespearean device : the action slows down and spreads out , so that the audience has time to assimilate the meaning of what has ...
... action - and almost his life . In the rest of Act IV and the first scenes of Act V , we have a typical Shakespearean device : the action slows down and spreads out , so that the audience has time to assimilate the meaning of what has ...
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Häufige Begriffe und Wortgruppen
A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York