Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 246
... Othello , see SC , Volumes 4 and 11 . INTRODUCTION The themes of jealousy , pride , and revenge have con- sistently interested scholars throughout Othello's criti- cal history . With the development of ... Othello Othello Introduction.
... Othello , see SC , Volumes 4 and 11 . INTRODUCTION The themes of jealousy , pride , and revenge have con- sistently interested scholars throughout Othello's criti- cal history . With the development of ... Othello Othello Introduction.
Seite 278
... Othello to say O brave Iago , honest and just , Thou has such noble sense of thy friend's wrong ! ( V.i. 31-33 ) In other words , Othello is not an innocent victim . Iago , Shakespeare's Devil , no more forces Othello to " fall " than ...
... Othello to say O brave Iago , honest and just , Thou has such noble sense of thy friend's wrong ! ( V.i. 31-33 ) In other words , Othello is not an innocent victim . Iago , Shakespeare's Devil , no more forces Othello to " fall " than ...
Seite 318
... Othello will tend to strengthen the argument that Othello remains blind , that he is the object of irony at the end . The critics who have considered Othello from a psy- choanalytic view - point have , in general , followed two lines of ...
... Othello will tend to strengthen the argument that Othello remains blind , that he is the object of irony at the end . The critics who have considered Othello from a psy- choanalytic view - point have , in general , followed two lines of ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York