Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 13
... women and compare themselves to women without the anguish such imagery usually gives the tragic heroes . In general , the cross - gender imagery in the romances emphasizes the primacy of generativity over aggres- sion . Imogen's ...
... women and compare themselves to women without the anguish such imagery usually gives the tragic heroes . In general , the cross - gender imagery in the romances emphasizes the primacy of generativity over aggres- sion . Imogen's ...
Seite 34
... women that only through violence will they achieve manhood . Their manhood , displayed in the uncompro- misingly masculine form of bloodshed , is not their own , not self - determined nor self - validated , but infused into them by women ...
... women that only through violence will they achieve manhood . Their manhood , displayed in the uncompro- misingly masculine form of bloodshed , is not their own , not self - determined nor self - validated , but infused into them by women ...
Seite 56
... woman in disguise is wooed by a woman she reverts to boyhood while protecting her woman- hood . Rosalind is masculine to Phoebe's femininity- scornful , down - to - earth , impatient at the follies of women . Viola is robust in her ...
... woman in disguise is wooed by a woman she reverts to boyhood while protecting her woman- hood . Rosalind is masculine to Phoebe's femininity- scornful , down - to - earth , impatient at the follies of women . Viola is robust in her ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young