Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 10
... tells Rosalind of Orlando's fight with the lioness and then shows her his bloody napkin . Rosalind faints , and tries to cover up : " I pray you tell your brother how well I counterfeited " ( 4.3.167-68 ) —pretending to be Ganymede ...
... tells Rosalind of Orlando's fight with the lioness and then shows her his bloody napkin . Rosalind faints , and tries to cover up : " I pray you tell your brother how well I counterfeited " ( 4.3.167-68 ) —pretending to be Ganymede ...
Seite 52
... tell quaint lies How honourable ladies sought my love , Which I denying , they fell sick and died : I could not do withal : -then I'll repent , And wish for all that , that I had not kill'd them ; And twenty of these puny lies I'll tell ...
... tell quaint lies How honourable ladies sought my love , Which I denying , they fell sick and died : I could not do withal : -then I'll repent , And wish for all that , that I had not kill'd them ; And twenty of these puny lies I'll tell ...
Seite 199
... tell me now what lady is the same To whom you swore a secret pilgrimage— That you to - day promis'd to tell me of ? ( I.i.119 ) Antonio has known , then , for an unspecified time , that Bassanio intends to woo a lady , and awaits ...
... tell me now what lady is the same To whom you swore a secret pilgrimage— That you to - day promis'd to tell me of ? ( I.i.119 ) Antonio has known , then , for an unspecified time , that Bassanio intends to woo a lady , and awaits ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young