Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 26
... seem to change in this play ; she is perfectly attuned to comic values right from the start . The change seems to be in the author , not in the char- acter . Shakespeare seems to have meant Olivia as a companion piece to Orsino , a ...
... seem to change in this play ; she is perfectly attuned to comic values right from the start . The change seems to be in the author , not in the char- acter . Shakespeare seems to have meant Olivia as a companion piece to Orsino , a ...
Seite 201
... seems to control thoroughly . as Bassanio , seeking " where money is , " finds Shylock , and we seem to encounter a recognizable business transac- tion at last . The scene , which culminates in the accep- tance of the " merry bond ...
... seems to control thoroughly . as Bassanio , seeking " where money is , " finds Shylock , and we seem to encounter a recognizable business transac- tion at last . The scene , which culminates in the accep- tance of the " merry bond ...
Seite 259
... seems that sexual pleasure is something that belongs only to women , in these obscene and pleasurable sonnets it seems oddly that no one is in a position to feel anything very sexual , at least until the last four lines of 136 : the men ...
... seems that sexual pleasure is something that belongs only to women , in these obscene and pleasurable sonnets it seems oddly that no one is in a position to feel anything very sexual , at least until the last four lines of 136 : the men ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young