Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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... roles in this case , of kingship . Just as Shakespeare found his imagi- nation struck by the stage's transformation of subject to king and back again , he seems to have been fasci- nated by the image of gender as role . In five plays ...
... roles in this case , of kingship . Just as Shakespeare found his imagi- nation struck by the stage's transformation of subject to king and back again , he seems to have been fasci- nated by the image of gender as role . In five plays ...
Seite 76
... roles are familiar from the comedies . Then , like the protagonists of the history plays , especially the Roman ... role reversals are given their ironic point by the fact that they are not charac- teristic of the couple . This play ...
... roles are familiar from the comedies . Then , like the protagonists of the history plays , especially the Roman ... role reversals are given their ironic point by the fact that they are not charac- teristic of the couple . This play ...
Seite 164
... roles but would have had diffi- Act III . Scene ii . Gratiano , Nerissa , Portia , and Bassanio . By H. Fradelle . culty extracting a single , consistent attitude toward the role and status of women . . . . Notes Hunter , John Lyly ...
... roles but would have had diffi- Act III . Scene ii . Gratiano , Nerissa , Portia , and Bassanio . By H. Fradelle . culty extracting a single , consistent attitude toward the role and status of women . . . . Notes Hunter , John Lyly ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young