Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 142
... RELATIONS Marianne Novy ( essay date 1984 ) SOURCE : " Giving and Taking in The Merchant of Venice , " in Love's Argument : Gender Relations in Shakespeare , The University of North Carolina Press , 1984 , pp . 63-82 . [ In the ...
... RELATIONS Marianne Novy ( essay date 1984 ) SOURCE : " Giving and Taking in The Merchant of Venice , " in Love's Argument : Gender Relations in Shakespeare , The University of North Carolina Press , 1984 , pp . 63-82 . [ In the ...
Seite 210
... relations from the homoerotic to the competitive to the commercial . Re- cently Eve Sedgwick has made the perspectives first conceptualized by Kristeva and Irigaray available to the Anglo - American reader by appropriating the term ...
... relations from the homoerotic to the competitive to the commercial . Re- cently Eve Sedgwick has made the perspectives first conceptualized by Kristeva and Irigaray available to the Anglo - American reader by appropriating the term ...
Seite 367
... relations be- tween themselves seems to be the prerequisite for their establishing relations between themselves and women . The young men begin by defining themselves in terms of their male companions- " find his fellow . . . lose ...
... relations be- tween themselves seems to be the prerequisite for their establishing relations between themselves and women . The young men begin by defining themselves in terms of their male companions- " find his fellow . . . lose ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young