Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 97
... play , including Rosalind's invocation of magic , and the play's metadramatic " Epilogue . " For all its self - conscious artfulness , its impositions and nuances of style , a part of this play remains beyond man's control and is ...
... play , including Rosalind's invocation of magic , and the play's metadramatic " Epilogue . " For all its self - conscious artfulness , its impositions and nuances of style , a part of this play remains beyond man's control and is ...
Seite 105
... play - such as the issue of gender identity and the language of economics and exchange that permeates the play . By the end of the play , the Jewish money - lender Shy- lock has been stripped of his possessions and the right to practice ...
... play - such as the issue of gender identity and the language of economics and exchange that permeates the play . By the end of the play , the Jewish money - lender Shy- lock has been stripped of his possessions and the right to practice ...
Seite 127
... play from an ideological standpoint and examines how several varying ideological discourses inform the play's is- sues and themes . An early version of this essay was presented in 1979 to the Marxist Literary Group at Yale . ] 1 Nearly ...
... play from an ideological standpoint and examines how several varying ideological discourses inform the play's is- sues and themes . An early version of this essay was presented in 1979 to the Marxist Literary Group at Yale . ] 1 Nearly ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young